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<datestamp>2017-12-21</datestamp>
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<publisher>HAL CCSD</publisher>
<title lang=en>Provincial exhibitions and colonial identities in the Nineteenth Century</title>
<title lang=fr>Expositions provinciales et identités coloniales au XIXe siècle</title>
<creator>LOZERE, CHRISTELLE, </creator>
<contributor>Archéologie Industrielle, Histoire, Patrimoine- Géographie, Développement, Environnement de la Caraïbe [EA 929] (AIHP-GEODE) ; Université des Antilles et de la Guyane (UAG)</contributor>
<description>International audience</description>
<source>ISSN: 2038-0925</source>
<source>EISSN: 2038-0925</source>
<source>Diacronie - Studi di Storia contemporanea</source>
<publisher>Association culturelle Diacronie</publisher>
<identifier>hal-01092401</identifier>
<identifier>https://hal.archives-ouvertes.fr/hal-01092401</identifier>
<source>https://hal.archives-ouvertes.fr/hal-01092401</source>
<source>Diacronie - Studi di Storia contemporanea, Association culturelle Diacronie, 2014, Le esposizioni: propaganda e costruzione identitaria, chapitre 5. 〈http://www.studistorici.com/〉</source>
<source>http://www.studistorici.com/</source>
<language>fr</language>
<subject lang=en>colonial</subject>
<subject lang=en>Exhibition</subject>
<subject lang=en>France</subject>
<subject lang=en>identity</subject>
<subject lang=en>scenography</subject>
<subject lang=fr>exposition</subject>
<subject lang=fr>identité</subject>
<subject lang=fr>scénographie</subject>
<subject lang=it>colonie</subject>
<subject lang=it>esibizione</subject>
<subject lang=it>Francia</subject>
<subject lang=it>identità</subject>
<subject lang=it>scenografia</subject>
<subject>[SHS.ART] Humanities and Social Sciences/Art and art history</subject>
<subject>[SHS.HIST] Humanities and Social Sciences/History</subject>
<type>info:eu-repo/semantics/article</type>
<type>Journal articles</type>
<description lang=en>Is it possible to construct a history of France’s ‘colonial exhibitions’ without mentioning those organized in the Nineteenth Century at Bordeaux, Nantes, Metz, Le Havre, Lyon, Rochefort, Cherbourg, Beauvais, Nice, Montauban, Rouen and Tours? By studying the scenography of these little-known provincial exhibitions, this paper seeks, firstly, to understand the economic, political and especially symbolic issues for these towns (especially the ports) around the construction of their colonial identities; secondly, it wants to determine the role of the State in the dissemination and gradual popularization of a unified national discourse.</description>
<description lang=fr>Peut-on construire une histoire des ‘expositions coloniales’ françaises sans parler de celles organisées au XIXe siècle à Bordeaux, Nantes, Metz, Le Havre, Lyon, Rochefort, Cherbourg, Beauvais, Nice, Montauban, Rouen, Tours? En étudiant la scénographie de ces expositions provinciales peu connues, cet article propose, d’une part, de comprendre les enjeux économiques, politiques et surtout symboliques pour ces villes (particulièrement les ports) autour de la construction de leurs identités coloniales et, d’autre part, de déterminer le rôle de l’État dans la diffusion et la vulgarisation progressive d’un discours national unifié.</description>
<description lang=it>Si può forse ricostruire una storia delle ‘mostre coloniali’ francesi senza accennare a quelle organizzate nel XIX secolo a Bordeaux, Nantes, Metz, Le Havre, Lione, Rochefort, Cherbourg, Beauvais, Nizza, Montauban, Rouen, Tours? Analizzando la scenografia di queste mostre provinciali poco conosciute, il presente contributo si propone, in primo luogo, di mettere in luce i risvolti economici, politici e soprattutto simbolici che per quelle città (in particolare quelle portuali) si manifestarono intorno alla costruzione delle loro identità coloniali e, in secondo luogo, di determinare il ruolo dello Stato nella diffusione e progressiva estensione di un discorso nazionale unitario.</description>
<date>2014-06</date>
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