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<OAI-PMH schemaLocation=http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd><responseDate>2018-01-24T08:33:56Z</responseDate><request identifier=oai:localhost:2139/40421 verb=GetRecord metadataPrefix=oai_dc>http://uwispace.sta.uwi.edu/oai/request</request><GetRecord><record><header><identifier>oai:localhost:2139/40421</identifier><datestamp>2016-06-09T15:54:21Z</datestamp><setSpec>com_2139_7111</setSpec><setSpec>com_2139_5601</setSpec><setSpec>com_2139_5600</setSpec><setSpec>com_123456789_8511</setSpec><setSpec>col_2139_17577</setSpec></header><metadata><dc schemaLocation=http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd> <title>Four Musical Omens for the Future</title> <creator>Taylor, Jeremy</creator> <contributor>The University of the West Indies, St Augustine Campus, Trinidad and Tobago</contributor> <subject>Music -- Trinidad and Tobago</subject> <subject>Classicism in music</subject> <subject>Musicians -- Trinidad and Tobago</subject> <description>A review of the first concert of the Recital Club, which was formed so that musicians could perform classical music for an appreciative audience. It was suggested that the club should consider devoting some of its time to aiding music appreciation.</description> <date>2015-09-21T16:10:01Z</date> <date>2015-09-21T16:10:01Z</date> <date>7-Feb-73</date> <identifier>14</identifier> <identifier>Taylor, Jeremy. "Four Musical Omens for the Future." Express. 7 Feb. 1973: 14. Print.</identifier> <identifier>http://hdl.handle.net/2139/40421</identifier> <rights>©Trinidad Express Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.</rights> <publisher>Express</publisher> </dc> </metadata></record></GetRecord></OAI-PMH>