North America -- Haiti -- Department du Ouest -- Port-au-Prince
Caribbean area
Latin America

South America -- Peru -- Departamento de Cuzco -- Provincia del Cuzco -- Cuzco -- San Blas
Caribbean
South America
Caribbean area
Latin America

Droits : Copyright photographer. Permission granted to University of Florida to digitize and display this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
http://ufdc.ufl.edu/UF00087544/00001

Éditeur(s) : UF Libraries UF Libraries ( Gainesville, FL )
Résumé : Digitized with funding from the Digital Library of the Caribbean grant awarded by TICFIA.
North America -- Haiti -- Département de l'Ouest -- Port-au-Prince Arrondissement -- Port-au-Prince -- Hotel Oloffsson
Caribbean
Caribbean area
Latin America

Droits : Copyright, Erich Kesse, 2008. May be used in accord with Creative Commons license allowing Attribution + Noncommercial + ShareAlike (by-nc-sa).

North America -- Barbados
Caribbean
Caribbean area
Latin America

Éditeur(s) : UF Libraries UF Libraries ( Gainesville, FL )
North America -- Haiti -- Département de l'Ouest -- Port-au-Prince Arrondissement -- Port-au-Prince -- Hotel Oloffsson
Caribbean
Caribbean area
Latin America
Caribbean area

Éditeur(s) : Latin American and Caribbean Center at Florida International University Latin American and Caribbean Center at Florida International University ( Miami, Florida )
Résumé : Olsen Jean Julien, Owner and Lead Architect, Phenixience Architecture and Engineering Firm, Haiti, Former Manager, Smithsonian Cultural Recovery Center, Haiti & Former Minister of Culture and Communication, Haiti This commissioned presentation examines Haitian architecture, and in particular, the development, evolution and value of traditional architecture of the 19th century. Additionally, Jean Julien examines issues related to the vulnerability of Haiti's architecture and the importance of preserving it as part of Haiti's cultural patrimony . Part of LACC's 15th Annual Haitian Summer Institute Lecture Series. Part of LACC's Haitian Art Digital Archive.
Due to technical difficulties, this presentation is available in progress from 12 minutes and 54 seconds.
Part of the Latin American and Caribbean Center in the School of International and Public Affairs at Florida International University's Foreign Languages Across the Curriculum Lecture Series.
Haiti

Droits : All rights reserved by the source institution.
http://ufdc.ufl.edu/AA00013163/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Sancti Spíritus is a city in central Cuba. Sancti Spíritus is Latin for Holy Spirit. Visable in the photograph are numerous old American cars, and several people walking throughout the plaza.
Cuba -- Caribbean region -- Sancti Spiritus

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 25: 4
http://ufdc.ufl.edu/CA01200383/00001

Éditeur(s) : UF Center for Latin American Studies UF Center for Latin American Studies ( Gainesville, FL )
Résumé : (Biographical) Peter Szok teaches Latin American history at Texas Christian University. He received a PhD from Tulane University and has specialized in art, intellectual history, and popular culture. He is the author of Wolf Tracks: Popular Art and Re-Africanization in Twentieth-Century Panama (2012) and ‘La última gaviota’: Liberalism and Nostalgia in Early Twentieth-Century Panama (2001). His current projects include on a book on indigenous intelligentsia in contemporary Panama and a manuscript on Murphy Antoine and New Orleans folk art.
Panama

Droits : All rights reserved by the author/creator; permissions granted for online access, preservation, and Fair Use.
http://ufdc.ufl.edu/AA00020388/00001

North America -- Haiti -- Department du Ouest -- Port-au-Prince
Caribbean area
Latin America

North America -- Mexico -- Nuevo Leon
Caribbean
Caribbean area
Latin America

North America -- Mexico -- Oaxaca -- Oaxaca
Caribbean
Caribbean area
Latin America

South America -- Peru -- Departamento de Cuzco -- Provincia del Cuzco -- Cuzco -- San Blas
Caribbean
South America
Caribbean area
Latin America

North America -- Haiti -- Department du Ouest -- Port-au-Prince
Caribbean area
Latin America

Droits : May be used under a Creative Commons Attribution-Noncommercial-Share Alike (by-nc-sa) license. Cette donnée peut être utilisée sous une licence Creative Commons de Paternité-Pas d'Utilisation Commerciale-Partage des Conditions Initiales à l'Identique. Este archivo puede ser utilizado en virtud de una licencia Creative Commons de Atribución-No Comercial-Licenciar Igual.

North America -- Mexico -- Oaxaca -- Oaxaca
Caribbean area
Latin America

Éditeur(s) : HAL CCSD BioMed Central
Résumé : International audience
Background: End-Stage renal disease (ESRD) causes considerable morbidity and mortality, and significantly alterspatients’ quality of life. There are very few published data on this problem in the French Overseas territories. Thedevelopment of a registry on end stage renal disease in French Guiana in 2011 allowed to describe the magnitudeof this problem in the region for the first time.Methods: Using data from the French Renal Epidemiology and Information Network registry (R.E.I.N). Descriptivestatistics on quantitative and qualitative variables in the registry were performed on prevalent cases and incidentcases in 2011, 2012 and 2013.Results: French Guiana has one of the highest ESRD prevalence and incidence in France. The two main causes ofESRD were hypertensive and diabetic nephropathies. The French Guianese population had a different demographicprofile (younger, more women, more migrants) than in mainland France. Most patients had at least one comorbidity,predominantly (95.3%) hypertension. In French Guiana dialysis was initiated in emergency for 71.3% of patients versus33% in France (p < 0.001).Conclusion: These first results give important public health information: i) End stage renal disease has a very highprevalence relative to mainland France ii) Patients have a different demographic profile and enter care late in thecourse of their renal disease. These data are closer to what is observed in the Caribbean or in Latin America than inMainland France.
ISSN: 1471-2369

inserm-01567222
http://www.hal.inserm.fr/inserm-01567222
http://www.hal.inserm.fr/inserm-01567222/document
http://www.hal.inserm.fr/inserm-01567222/file/2017%2C%20Rochemont%20-%20End%20stage%20renal%20disease.pdf
DOI : 10.1186/s12882-017-0614-6

Résumé : Carved as a totem and given as a gift in hopes of future prosperity
North America -- United States of America -- Florida -- Alachua -- Gainesville
Caribbean
Caribbean area
Latin America

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : Le rap a atteint un succès sans précédent auprès des jeunes urbains aux États-Unis et dans les grandes mégalopoles du monde entier. Ce genre musical, figure de proue du hip-hop, s’est affirmé dès les années 1970 comme un moyen d’expression diasporique reflétant les expériences, les rapports complexes et les interactions culturelles entre Africains-Américains, Jamaïcains et Portoricains de la diaspora vivant à New York. Cependant, le positionnement des artistes issus de la diaspora portoricaine a été peu étudié. Nourri de séjours d’observation participante et de recherches réalisées entre 2005 et 2008, ainsi que de la fréquentation assidue des concerts du collectif artistique portoricain The Terror Squad auxquels l’auteur a pu assister, cet article se propose donc d’analyser le rôle central des artistes issus de la diaspora portoricaine de New York à travers l’étude du rap, élément le plus médiatisé du hip-hop. Il devient ainsi possible de mieux entrevoir les tensions, convergences et interactions culturelles qui régissent les rapports complexes qui s’établissent entre la latinité des Portoricains et la culture africaine-américaine urbaine depuis plus d’une trentaine d’années dans le milieu du rap.
Rap music has achieved unprecedented success among urban youth in the United States and in big cities around the world. As a key element of hip-hop this musical style has been asserting its strength since the 1970s as a reflection of the diasporic experience and the complex cultural interactions between African Americans, Jamaicans and Puerto Ricans of the diaspora living in New York. However, scant research has been conducted on the role of Puerto Rican artists of the diaspora living in New York. Therefore, based on field trips and participant observation undertaken between 2005 and 2008 and the concerts of the Puerto Rican rap group The Terror Squad that the author was able to attend frequently, the purpose of this article is to analyze the central role of Puerto Rican artists located in New York through rap music, the most publicized element of hip-hop. This analysis sheds light on the tensions, commonalities and cultural interactions that govern the complex relationships between the distinctive Latin identity of Puerto Ricans and the African American urban culture, as witnessed on New York’s rap scene for more than thirty years.
New York

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.4756
http://journals.openedition.org/etudescaribeennes/4756