Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
In Trinidad and Tobago, carnival celebrations begin after Christmas and peak during the Monday and Tuesday preceding Ash Wednesday. Costumed masqueraders and festival revelers partake in the two-day street parade, generally accompanied by soca, calypso, and steel pan music, before beginning the Lenten season. The National Museum and Art Gallery hosts a permanent ongoing exhibit of masks and costumes from past carnivals. The carnival costume, pictured in the center, is decorated with peacock feathers, blue sequin, bells, and crystals around the head and neck sections. Slide labeled Trin. 14.
Trinidad and Tobago -- South America -- Port of Spain, Trinidad
Trinidad and Tobago -- Caribbean region -- Port of Spain, Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031208/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
In Trinidad and Tobago, carnival celebrations begin after Christmas and peak during the Monday and Tuesday preceding Ash Wednesday. Costumed masqueraders and festival revelers partake in the two-day street parade, generally accompanied by soca, calypso, and steel pan music, before beginning the Lenten season. The National Museum and Art Gallery hosts a permanent ongoing exhibit of masks and costumes from past carnivals. The carnival costume, pictured in the center, is decorated with colorful feathers and animal prints. To the left of this costume is an ornate peacock head gear which has been placed atop an armless statue with a human face. To the right of the costume is a head gear made with stylized snake heads with crowns. Slide labeled Trin. 13.
Trinidad and Tobago -- South America -- Port of Spain, Trinidad
Trinidad and Tobago -- Caribbean region -- Port of Spain, Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031207/00001

Éditeur(s) : Underwood and Underwood Underwood and Underwood ( New York )
Résumé : (Internal Comments) Pulled for exhibit 6/10/14 RLF
Panama -- Central America -- Bas Obispo -- Panama Canal Zone

Droits : Public Domain Presumed (e.g. expiry of copyright term): This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services with any additional information they can provide.
2014.51.1
http://ufdc.ufl.edu/AA00023841/00001

Résumé : Galeria Campeche, Viejo San Juan ; Given in honor of Efraín Barradas
Puerto Rico
Caribbean

Résumé : Item received on 5/19/2011
(Internal Comments) removed for exhibit Life in the CZ
Panama -- Central America -- Panama Canal Zone

Droits : Public Domain Presumed (e.g. expiry of copyright term): This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
2003.017.034.002
http://ufdc.ufl.edu/PCMI008155/00001

Éditeur(s) : Freiburg Newspaper Freiburg Newspaper ( Germany )
Résumé : Watson, Seaga and Mayor of Freiburg
clipping

Droits : All rights reserved by the source institution.

Résumé : Item received on 3/25/2011
(Internal Comments) removed for Voices exhibit
Panama -- Central America -- Panama Canal Zone

Droits : This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions may require permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services (UFDC@uflib.ufl.edu) with any additional information they can provide.
2001.077.006.001
http://ufdc.ufl.edu/PCMI006188/00001

Éditeur(s) : Printed for the Governors of the Institute, by M.S. De Souza Printed for the Governors of the Institute, by M.S. De Souza ( Kingston Jamaica )
Résumé : (Statement of Responsibility) by the Hon. J.C. Phillippo.
At head of title: The Institute of Jamaica.
Read at the Jamaica Exhibition, on the 17th March, 1891.
Jamaica
Jamaica

10870302
07041182

Résumé : (Acquisition) Item received on 5/19/2011
(Internal Comments) removed for exhibition Life in CZ
Panama -- Central America -- Panama Canal Zone

Droits : Public Domain Presumed (e.g. expiry of copyright term): This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
2003.017.034.001
http://ufdc.ufl.edu/PCMI008154/00001

Résumé : (Original Location) PCM storage cage, ILF
(Internal Comments) Temporary removal for exhibit review. 5/20/14
Panama -- Central America -- Panama Canal Zone
Panama--Gaillard Cut
Panama--Gatun Locks

Droits : Works of the Federal Government: This item is a work of the U.S. federal government and is in the public domain pursuant to 17 U.S.C. §105.
2004.008.002.002
http://ufdc.ufl.edu/PCMI009417/00002

Éditeur(s) : Flensburg Newspaper Flensburg Newspaper ( Germany )
Résumé : clipping

Droits : All rights reserved by the source institution.

Éditeur(s) : Chevington Press, Chevington Press Chevington Press, Chevington Press ( Goole, East Yorkshire )
Résumé : (Statement of Responsibility) [text and etchings] by D.R. Wakefield.
Edition limited to 50 copies. This is copy no. 18.
Issued in a slip case.
Autographed by the author.
"The text and etchings are the work of D.R. Wakefield ... All the printing was done by the artist at his press ... The paper covers were designed and screenprinted by the artist. The binding of the book was achieved with the help of Stephen Ingram and David Robinson of Hull"--Colophon.
Per copyright and requested, only selected pages digitized for an exhibit.
British West Indies
England
Goole

55801946
003110679

Éditeur(s) : University of Suriname Université des Antilles. Service commun de la documentation
Extrait de : 52e congrès annuel de la Société caribéenne des plantes alimentaires / 52nd annual meeting of the Caribbean food crops society (CFCS), du 10 au 16 juillet 2016. INRA, CFCS
Description : Tomato is one of the most popular vegetables in the world. Therefore, for improvement in crop productivity in Suriname and most other countries, excessive application of pesticides and synthetic fertilizers is used. These result in gradual depletion of soil fertility and microbial diversity. Conventionally managed soils are found to exhibit a poorer micro flora and a lower biological activity then organically managed soils. Recently much attention is paid to organic cultivation and the use of bio fertilizers as a supplement for chemical fertilizers. VAM fungi have the potential to improve the sustainability of tomato production by improving yield and quality. Therefore, the aim of the study was to evaluate the effect of two different concentrations of commercially available vesicular - arbuscular mycorrhiza on the plant growth and fruit production of two tomato varieties (Lycopersicon esculentum Mill.) in the greenhouse.The experiment was set up as a randomized factorial block design with two independent factors and consisted of six treatments and three replications. The factors were two tomato varieties: hybrid 61 and hybrid 501 and two concentrations of VAM namely 2.5 and 10 g. VAM/plant. Biomass was determined two times, at bloom initiation and at the end of the experiment. The growth parameters were measured once per week. The production was recorded only for the first two harvest times. Data was statistically analyzed using three-way ANOVA. The results of this experiment showed that the VAM fungi had a positive influence (p < 0.05) on the production for both varieties of tomatoes. And it also resulted in earlier reproduction. There was no significant difference in production (p > 0.05) between the two concentrations of VAM inoculum used.
Siècle(s) traité(s) : 21
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V16303
V16303

Éditeur(s) : Elsevier
Résumé : Red drum larvae were fed from day 11 to day 24 post-hatch, with Artemia (LP group) or two isoproteinic-formulated diets with varying lipid levels, 15% (L15 group) and 30% (L30 group). The lipid fraction was composed of a mixture of cod liver oil and soy lecithin. Larvae fed Artemia exhibited the greatest length, L30 diet induced a larvae length significantly greater than that obtained with L15 diet (P < 0,05). No difference was observed in larvae survival among the three dietary groups. The increase in dietary lipid concentration led to an increase in amylase and trypsin secretion levels in 24-day-old larvae. The pancreatic secretion level measured in L30 group was close to that of LP group, suggesting that the maturation of the pancreatic functions was normally developed. Red drum larvae fed the diet containing the higher lipid content (L30) exhibited a more developed brush border membrane digestion in the intestine than larvae fed L15 diet (P < 0.05). Phospholipase A2 was stimulated by the increase of phospholipids in the diet, but no difference was observed for lipase between the two compound diet-fed groups; the LP group exhibited the lowest lipase activity. A plateau in lipase activity may have occurred in red drum larvae from 15% fat level in the diet, suggesting that the maximal lipase activity was reached with 12% neutral lipid in the diet. The positive effects observed with high dietary fat may be due to the phospholipid fraction of the lipid mixture used.
Aquaculture (0044-8486) (Elsevier), 2000-04 , Vol. 184 , N. 3-4 , P. 339-347

Droits : 2000 Elsevier
http://archimer.ifremer.fr/doc/2000/publication-503.pdf
DOI:10.1016/S0044-8486(99)00325-7
http://archimer.ifremer.fr/doc/00000/503/

Résumé : Written on verso: "The pods of the horse-radish tree. The one to the left has been split open so as to exhibit the seeds." Also: "Used 1922." Probably used by the Munson Steamship Line in their publication, The Cuba Review.
1920-1930
CHC5017
Cuba

Droits : http://merrick.library.miami.edu/digitalprojects/copyright.html
chc50170000880001001
1346

Résumé : (Acquisition) Album belonged to Helen Sheppard's (donor) father, Frederick J. Nobles.
Item received on 6/28/2011
(Exhibitions) Kiss of the Oceans: The Meeting of the Atlantic and the Pacific, Henry Morrison Flagler Museum, Palm Beach, FL. October 14, 2014 - January 4, 2015.
Panama -- Central America -- Panama Canal Zone

Droits : This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions may require permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services (UFDC@uflib.ufl.edu) with any additional information they can provide.
2002.143.001
http://ufdc.ufl.edu/PCMI007635/00001

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : À travers les expositions universelles récentes et passées et plus particulièrement les expositions de Milan 2015 et de Port-au-Prince 1949, nous rappelons que cette pratique touristique du voyage d’agrément dans une grande ville remonte au xixe siècle, elle accompagne les origines de notre tourisme moderne, tout en devenant un instrument de géopolitique et de marketing touristique de première importance pour les villes et les pays hôtes. Les expositions peuvent être considérées comme un levier urbanistique, mais aussi un moyen de faire voyager et de comprendre notre monde à travers un système de représentation des identités locales et mondiales proposant toujours une mise en valeur de la découverte scientifique et de l’expérience culturelle à travers les pavillons nationaux. Ces manifestations géantes reposent sur une mise en scène et en récit à partir d’un thème universel questionnant généralement le concept du développement durable et de l’attractivité touristique renouvelée de la destination. Notre analyse porte sur la plus récente des expositions universelles et une exposition oubliée appartenant à l’aire culturelle des caraïbes permettant de dégager trois dynamiques associant le tourisme de méga-événement et l’utopie des voyages initiatiques, à savoir : les expositions universelles se réinventent et retrouvent un certain succès de fréquentation impliquant une redéfinition des champs et des usages d’une utopie contrariée. Faire voyager est un acte à la fois scénographique et symbolique à travers le pavillon impliquant des artifices et des déclinaisons de plus en plus numériques, la quête de cette pratique durable du voyage se confronte à son héritage et à son souvenir à différentes échelles et temporalités.  
Through the recent and past universal exhibitions and more particularly the world’s fair of Milan 2015 and Port-au-Prince 1949, we recall that this tourist practice of the pleasure trip in a large city dates back to the xixth century, it accompanies the origins of Our modern tourism, while becoming an instrument of geopolitics and tourist marketing of prime importance to cities and host countries. Exhibitions can be seen as an urban lever, but also a way to make travel and understand our world through a system of representation of local and global identities that always emphasizes scientific discovery and cultural experience through the national pavilion. These giant events are based on a staging and narrative based on a universal theme generally questioning the concept of sustainable development and the renewed attractiveness of the destination. Our analysis focuses on the most recent of the universal exhibitions and a forgotten exhibition belonging to the cultural area of the Caribbean, which reveals three dynamics associating mega-event tourism with the utopia of initiatory journeys, namely: reinvent and regain a certain success of frequentation implying a redefinition of the fields and uses of a disrupted utopia; to make travel is an act both scenographic and symbolic through the pavilion involving artifices and more and more digital declensions, the quest for this sustainable practice of travel is confronted with its heritage and its memory at different scales and temporalities.
A través de las exposiciones universales recientes y pasados y, especialmente, la Feria de Milán en 2015 y Puerto Príncipe en 1949, recordamos que esta práctica de turismo de viaje de placer a una gran ciudad se remonta al siglo xix, que acompaña a los orígenes de turismo moderno, mientras que convertirse en un instrumento geopolítico y comercialización del turismo de las principales ciudades y países anfitriones. Las exposiciones pueden considerarse una palanca urbana, sino también una manera de viajar y entender nuestro mundo a través de un sistema de representación de las identidades locales y globales que todavía ofrece el desarrollo de los descubrimientos científicos y la experiencia cultural a través pabellones nacionales. Estas manifestaciones gigantes basados en una puesta en escena y la narrativa de un tema universal en general, cuestionando el concepto de desarrollo sostenible y renovada atractivos turísticos del destino. Nuestro análisis se centra en las últimas exposiciones universales y una exposición olvidado que pertenecen a la zona cultural del Caribe para identificar tres dinámico entre el turismo mega-evento y la utopía de los viajes iniciáticos, a saber: las exposiciones universales reinventar y encontrar un cierto éxito de asistencia que implica una redefinición de campos y utiliza una utopía alterada, para viajar es un acto tanto teatral y simbólico a través del pabellón y declinaciones cada vez más digitales, las la búsqueda de este viaje práctica sostenible se enfrenta a su artificialidad y su memoria en diferentes escalas y marcos de tiempo.
Europe
Caraïbes
Italie
Haïti
France
Milan
Port-au-Prince
New York
Osaka

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.11239
http://journals.openedition.org/etudescaribeennes/11239

Résumé : (Internal Comments) removed for exhibit Panama:Tropical Ecosystem at FLMNH
(Internal Comments) Recto color: orange Verso color: green
Panama -- Kuna Yala -- San Blas Islands

Droits : This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions may require permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services (UFDC@uflib.ufl.edu) with any additional information they can provide.
2011.004.609
http://ufdc.ufl.edu/AA00017032/00001

Éditeur(s) : Herbert T. Thomas Herbert T. Thomas ( Kingston, Jamaica )
Résumé : (Biographical) Herbert Theodore Thomas was born 6 June 1856 in Jamaica, and died in 1930. Author of Untrodden Jamaica (1890; http://www.dloc.com/AA00020116/ ) & The story of a West Indian Policeman-47 years in the Jamaica Constabulary (1927; http://www.dloc.com/AA00010421/ ).
Jamaica

Droits : Scanned by Columbia University Libraries. Permission granted to University of Florida to digitize and display this item for research and educational uses. Permission to reuse, publish or reproduce this item for purposes other than what is allowed by fair use or other copyright exemptions must be obtained from the copyright holder.
55651268
4979357
http://ufdc.ufl.edu/AA00022366/00001

Résumé : (Ownership) Received by the Rubenstein Library as a gift from Holly Ackerman in 2009
Catalog for an exhibit of Cuban rafter art at the Miami-Dade County Public Library, October 6-December 15, 1995
Cuba
Guantánamo Bay (Cuba)