![]() | View of the ocean from the Shaw Park Hotel ; The Bryant Slides Collection ; The Bryant Slides Collection, Jamaica Auteur(s) : Unknown ( Photographer ) Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location. View of the Caribbean Sea and the city of Montego Bay, Saint James, Jamaica from the gardens of the Shaw Park Hotel. White wooden chairs have been placed on the lawn facing the ocean. One chair is shaded by an almond tree. In the foreground can been seen a water pipe and a large cast iron hand pump. Hibiscus plants form a fence separating the lawn from the slope of the hill. The area pictured is now known as the Shaw Park Botanical Gardens and Waterfall. The hotel has been relocated to the beach. Slide labeled Shaw Park Hotel Ocho Rios. Jamaica -- Caribbean region -- Ocho Rios, Saint Ann Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu CFM1972_01a http://ufdc.ufl.edu/AA00031107/00001 | Partager |
![]() | After the fury of the earthquake in Kingston : a multitude of the homeless and destitute, without shelter and scantily supplied with food, and some peculiar effects of the shocks. Auteur(s) : Blauvelt, H. D. Éditeur(s) : Leslie's Weekly Leslie's Weekly ( New York ) Résumé : Page 173 from Leslie's Weekly, Nov,. Article entitled "The Kingston earthquake at short range", by Francis E. Clark, Founder of the United Society of Christian Endeavor continues on verso. Six illustrations: Plum Point Lighthouse, which was damaged by the earthquake and its ligth extinguished, causing the stranding of the steamship "Prinz Waldemar". -- Refugees each receiving the meagre food supply of two potatoes, a piece of bread, some brown sugar, and molasses. -- The American Consulate a mass of ruins - Vice-Counsul William H. Orrett standing in front of his demolished office. -- Hundreds of refugees in camp a the temporary market near the Parade ground. -- A crowd of homeless and hungry people waiting for the opening of the gate of the race-course relief station. -- Curious incident of the quake - Queen Victoria's statue, once facing the sea, turned completely around. -- Steamship "Prinz Waldemar," of the Hamburg-American Line, wrecked on the Jamaica coast because the Plum Point Light went out. -- Entrance to Up Park Camp, headquarters of the First West Indian Regiment, showing wreckage of gateways and buildings. Kingston (Jamaica) Droits : All rights reserved by the source institution. 2005-348-1 | Partager |
![]() | Miss World Joan Crawford and Watson looking at Kapo Éditeur(s) : The Daily Gleaner The Daily Gleaner ( Jamaica ) Résumé : The photograph of Barrington Watson and the Jamaican Miss World, Carol Joan Crawford, viewing a sculpture by the self-taught artist Kapo tells us much about that post-independence moment and how Jamaica was poised to present itself to the outside world. The juxtaposition is telling, Watson, trained academically in Europe, would go on to become one of the founders of an artist group that pushed modernist artistic principles and an internationalist outlook in Jamaica. In contrast, Kapo, along with other self-taught artists, was already being celebrated as an icon of an indigenous Jamaican art tradition, the roots of which were said to be inspired by Africa. Carol Joan Crawford as a world icon sent a message at home and abroad that Jamaica had style. Droits : All rights reserved by the source institution. | Partager |
![]() | Dining in front of the fireplace at the Blue Mountain Inn ; The Bryant Slides Collection ; The Bryant Slides Collection, Jamaica Auteur(s) : Unknown ( Photographer ) Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location. The Blue Mountain Inn is a restaurant near Gordon Town, Saint Andrews, Jamaica. Tables and fabric covered chairs have been placed in front of the fireplace. On each table can be found a tea set. The fireplace is decorated with various copper items and a rifle with bayonet. A young boy stands facing the fireplace. Other guests are seated dining while waiters, dressed in white shirts, bring their meals. Jamaica -- Caribbean region -- Gordon Town, Saint Andrews Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu CFM1972_01a http://ufdc.ufl.edu/AA00031135/00001 | Partager |
![]() | Das Gesicht Jamakas richtig kennenlernen ; Getting to know the real Face of Jamaica Éditeur(s) : Flensburg Newspaper Flensburg Newspaper ( Germany ) Résumé : clipping Droits : All rights reserved by the source institution. | Partager |
![]() | Kunst aus dem Karibischen Raum ; Art from the Caribbean Éditeur(s) : Freiburg Newspaper Freiburg Newspaper ( Germany ) Résumé : Watson, Seaga and Mayor of Freiburg clipping Droits : All rights reserved by the source institution. | Partager |
![]() | Jamaika-Minister wider abgereist ; Jamaica Minister has left Éditeur(s) : Flensburg Newspaper Flensburg Newspaper ( Germany ) Résumé : clipping Droits : All rights reserved by the source institution. | Partager |
![]() | Parboosingh relieves Watson Éditeur(s) : The Daily Gleaner The Daily Gleaner ( Jamaica ) Résumé : December 12, 1963 Droits : All rights reserved by the source institution. | Partager |
![]() | Les noirs à l’heure de l’indépendance jamaïcaine : histoire d’une majorité marginale Auteur(s) : Ceyrat, Antony Éditeur(s) : Université des Antilles Études caribéennes Résumé : L’article s’intéresse à la construction de l’identité noire en Jamaïque lors de l’indépendance obtenue du Royaume-Uni en 1962. Dominée par les Euro-créoles, paupérisée et confrontée à une offre politique nationale inadaptée, la population africaine souffre de l’absence d’une identité noire institutionnalisée, diluée dans le « nationalisme multiracial créole ». Ce travail met en lumière l’importance de l’histoire et des problématiques de la mémoire dans le processus de construction des identités sociales et souligne le rôle central de la culture dans les luttes de pouvoir. The article deals with the status of a Black identity in Jamaica when it became independent from the United Kingdom in 1962. Dominated by the Euro-Creoles, pauperized and facing an inadequate political offer, the African population suffers from the lack of an institutionalized blackness, melted into “Creole multiracialism”. This study highlights the importance of history and memory issues in the process of building up social identities, and underlines the central role of culture in conflicts of power. Jamaïque Droits : info:eu-repo/semantics/openAccess urn:doi:10.4000/etudescaribeennes.4083 http://journals.openedition.org/etudescaribeennes/4083 | Partager |
![]() | Entre violence, sexualité et luttes sociales : le destin paradoxal du dancehall ; Violence, sexuality and social struggles, : the paradoxical destiny of dancehall music Auteur(s) : Marie-Magdeleine, Loïc Auteurs secondaires : Antilles-Guyane Elbaz, Gilbert Résumé : Ce travail analyse le dancehall, dernière forme en date de la musique jamaïcaine, à travers les questions de violence et de sexualité. Cette musique rencontre des difficultés sur le plan local et international non seulement à cause des thématiques abordées mais aussi par la manière dont elles sont traitées. Ainsi, le traitement de la violence à travers le gun talk, ces textes faisant l’apologie des armes à feu, entraîne des critiques, on leur reproche d’être des incitations à la violence physique, psychologique, au désordre social et on juge leur influence négative. Par ailleurs, l’approche très explicite et très crue de la sexualité entraîne également des critiques du fait de la teneur misogyne et homophobe de certaines chansons.Par conséquent, cette étude du dancehall explique les raisons pour lesquelles le contexte particulier de la Jamaïque a conduit à ce genre de propos. Puis, elle démontre que les textes incriminés pour homophobie ou misogynie renferment une codification de la sexualité qui va au-delà de l’orientation sexuelle et de l’opposition hétérosexualité/homosexualité, pour ériger un modèle valorisant et valorisé en termes de pratiques sexuelles (le coït pénis/vagin). Pour répondre à ces questions, cette analyse s’appuie sur une série d’outils offrant une vision cohérente de cette musique : les travaux précédents sur le dancehall, les traductions d’un large éventail de chansons, l’utilisation de l’Internet qui permet de suivre les derniers déroulements de ce phénomène culturel en constante évolution et enfin les entretiens et les enquêtes menés sur le terrain. Completely different to play a part in the social unrest that this country is facing. The second part of the thesis focuses on the issues of violence and sexuality in dancehall music. It shows how politics and religion have a strong influence on the population and offer some legitimacy to the lyrics which lead to the controversies surrounding dancehall music. On the one hand, religion is the cornerstone of this society (although Jamaicans have integrated some principles and do not pay much attention to others) and determines what should be endorsed or rejected. On the other hand, the politicians apply some sort of physical and psychological violence to maintain their leading position. In addition, these politicians rely on the contempt for homosexuality to create cohesion within a society that is deeply characterized by divisions and tensions of all kinds. In the Jamaican context that is deeply influenced by patriarchal values, the individuals of the lower social strata (especially males) who experience difficulties to obtain a valorizing social status can turn to violence and criminal activities, and will hang to heterosexuality and “moral” sexual practices as vehicles to restored self-esteem (this vision of sexuality is one of the only valorizing aspects of masculinity that any individual can rely on regardless of their social status). Consequently, these sexual archetypes are expressed through the lyrics of dancehall music and are promoted by the artists of dancehall, self-proclaimed spokesperson for the Jamaican population. The third part addresses the issue of the perception of dancehall music on the international level through the issue of sexuality and homosexuality. This part shows that even though the language used by the artists can be hardly understood, some lyrics leave the listeners with different way of interpreting the message, especially when it comes to threatening some people physically or psychologically on the ground of sexual orientations and practices. These songs which express strong criticism towards some individuals have triggered vehement reactions from sexual minority groups. Different campaigns on the international level have forced the artists to tone down their lyrics. These campaigns show how the music is also utilized by these gay groups to fight against discrimination. Because of or thanks to the media attention that Jamaican music enjoys, the homosexuals are able to expose to the public opinion the physical and psychological violence they are experiencing in Jamaica. In addition, the close geographic, cultural and economic relationship between Jamaica and the USA shows, on the one hand, how homosexuality is perceived on the island as an imposed foreign value and on the other hand, how this Caribbean country is labeled as a homophobic nation. And finally, the influence of Jamaica on the international level allows us to analyze dancehall music in the French Caribbean islands. This chapter shows how these local artists can use the Jamaican codes and adapt them to their own reality when they correspond with the values of their own society. http://www.theses.fr/2013AGUY0728/document | Partager |