Éditeur(s) : Université des Antilles Bibliothèque Universitaire
Extrait de : Les rencontres culturelles de la BU 2017-2018. Université des Antilles
Description : Co-fondateur de la compagnie Art & Fact, Laurent Troudart produit une libre adaptation chorégraphiée et dansée de La Nuit caribéenne et de Le Patron, deux pièces de l'écrivain Alfred Alexandre. Pour Laurent Troudart, "dans la littérature d'Alfred Alexandre les corps sont tiraillés, disloqués ou au contraire enfermés dans des lieux rêvés ou trop réels. L'espace et le temps se télescopent en permanence rejoignant les thèmes, très prégnants dans nos îles, de l'exil, du paradis perdu ou rêvé, de l'ici honni et de l'ailleurs fantasmé". Dans cette réalisation où sont intégrées musiques et voix off, des séquences des deux pièces sont entremêlées, juxtaposées, jusqu'à produire une oeuvre nouvelle. La représentation est suivie d'un échange avec Alfred Alexandre et Karine Bénac-Giroux, Maître de conférences en littérature à l'Université des Antilles.

Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V18171
V18171

Extrait de : Nos Antilles ()
Résumé : Dessin illustrant le Paradis de Manzè Elodie
Siècle(s) traité(s) : 19
Droits : Domaine public
Permalien : http://www.manioc.org/images/NAN130420299i1
NAN130420299i1

Éditeur(s) : Lyon : Jean Pillehotte
Extrait de : Histoire des drogues espiceries, et de certains medicamens simples, qui naissent és Indes tant orientales, que occidentales, divisée en deux parties (p. 186)
Résumé : Genre de plantes aromatiques ou médicinales auquel appartiennent le gingembre, les cardamomes, la graine du paradis
Siècle(s) traité(s) : 17
Permalien : http://www.manioc.org/images/BBX17002-0210i1
BBX17002-0210i1

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
In Trinidad and Tobago, carnival celebrations begin after Christmas and peak during the Monday and Tuesday preceding Ash Wednesday. Costumed masqueraders and festival revelers partake in the two-day street parade, generally accompanied by soca, calypso, and steel pan music, before beginning the Lenten season. The National Museum and Art Gallery hosts a permanent ongoing exhibit of masks and costumes from past carnivals. The carnival costume, pictured in the center, is made with long and short white feathers and features highlights of black feathers. Gold ornaments decorate the costume which also has a ram’s head near the waist area. Next to this costume is an ornate peacock head gear which has been placed atop an armless statue with a human face. Slide labeled Trin. 12.
Trinidad and Tobago -- South America -- Port of Spain, Trinidad
Trinidad and Tobago -- Caribbean region -- Port of Spain, Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031205/00001

Éditeur(s) : Leslie's Weekly Leslie's Weekly ( New York )
Résumé : Page 173 from Leslie's Weekly, Nov,. Article entitled "The Kingston earthquake at short range", by Francis E. Clark, Founder of the United Society of Christian Endeavor continues on verso.
Six illustrations: Plum Point Lighthouse, which was damaged by the earthquake and its ligth extinguished, causing the stranding of the steamship "Prinz Waldemar". -- Refugees each receiving the meagre food supply of two potatoes, a piece of bread, some brown sugar, and molasses. -- The American Consulate a mass of ruins - Vice-Counsul William H. Orrett standing in front of his demolished office. -- Hundreds of refugees in camp a the temporary market near the Parade ground. -- A crowd of homeless and hungry people waiting for the opening of the gate of the race-course relief station. -- Curious incident of the quake - Queen Victoria's statue, once facing the sea, turned completely around. -- Steamship "Prinz Waldemar," of the Hamburg-American Line, wrecked on the Jamaica coast because the Plum Point Light went out. -- Entrance to Up Park Camp, headquarters of the First West Indian Regiment, showing wreckage of gateways and buildings.
Kingston (Jamaica)

Droits : All rights reserved by the source institution.
2005-348-1

Éditeur(s) : Neidine Editeurs
Résumé : This text, directed to the general public exposes, in first part, on the educational point of view, the mechanisms of ocean acidification resulting from the trapping of the carbon dioxide. Then the text presents a state of the knowledge about the speed of the phenomenon, about its geographical heterogeneousness on the surface of the globe, it draws up a balance sheet of existing or potential impacts on the living species and discusses aggravating factors. In conclusion are called back the main remaining questions, are discussed various solutions in parade to the phenomenon and are underlined the main scientific gaps.
Ce texte orienté vers le grand public explicite en première partie, au plan pédagogique, le mécanisme d'acidification de l'océan résultant du piégeage du dioxyde de carbone.Ensuite le texte présente un état des connaissances sur la vitesse du phénomène, sur son hétérogénéité géographique à la surface du globe, il dresse un bilan des impacts mesurés ou potentiels sur les espèces vivantes et discute des facteurs aggravants.En conclusion sont rappelées les grandes questions qui restent posées, sont discutées différentes solutions en parade au phénomène et sont soulignées les grandes inconnues scientifiques à lever.
Taï Kona (2269-7535) (Neidine Editeurs), 2013-07 , N. 3 , P. 14-25

Droits : Tai Kona
http://archimer.ifremer.fr/doc/00142/25352/23434.pdf
http://archimer.ifremer.fr/doc/00142/25352/

Éditeur(s) : Underwood & Underwood, Publishers Underwood & Underwood, Publishers ( New York )
Résumé : (Donation) Gifted on behalf of William P. and Barbara L. Angrick
Panama -- Central America -- Panama City

Droits : Public Domain Presumed (e.g. expiry of copyright term): This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
2013.2.103
http://ufdc.ufl.edu/AA00015255/00001

Résumé : Men dressed as gauchos surround the West Tampa Business Association Float during a parade in West Tampa.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.
P21-0241

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
In Trinidad and Tobago, carnival celebrations begin after Christmas and peak during the Monday and Tuesday preceding Ash Wednesday. Costumed masqueraders and festival revelers partake in the two-day street parade, generally accompanied by soca, calypso, and steel pan music, before beginning the Lenten season. The National Museum and Art Gallery hosts a permanent ongoing exhibit of masks and costumes from past carnivals. This image shows the full view of two costumes. The partial view of two more costumes can be seen as well. One of the costumes is decorated with feathered props and fans. The costume also features geometric shapes and a stylized bird’s head, with the opening for the wearer at the base of the bird’s neck. Another costume is decorated with hands accompanied by a feathered head gear featuring a stylized human face. Slide labeled Trin. 11.
Trinidad and Tobago -- South America -- Port of Spain, Trinidad
Trinidad and Tobago -- Caribbean region -- Port of Spain, Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031201/00001

Résumé : Item received on 6/7/2011
Panama -- Central America -- Panama Canal Zone

Droits : The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. This item may be protected by copyright but is made available here under a claim of fair use (17 U.S.C. §107) for non-profit research and educational purposes. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services (UFDC@uflib.ufl.edu) with any additional information they can provide.
2009.039.014
http://ufdc.ufl.edu/PCMI011782/00001

Éditeur(s) : Université de Guyane
Extrait de : "Bals masqués de Guyane et d'ailleurs. Identités et imaginaires carnavalesques en question" : colloque international, les 26 et 27 janvier 2017. Université de Guyane
Description : Carnaval traditionnel. Tradition du Randé boutché : rendre l'invitation. Divers facettes du carnaval en Guyane. Entre l'attribution du "Randé boutché" au siècle dernier et le 21e siècle,le carnaval à pris de l'ampleur. En Guyane, ce carnaval se déroule sous plusieurs formes et se décline pratiquement toute la semaine pendant au moins les deux premiers mois de l'année. Il y a 20 ans le carnaval occupait deux axes : les bals parés masqués dans les dancing, le défilé de rue et le vidé le dimanche après midi. Depuis une vingtaine d'année le carnaval à pris de nouvelles formes : soirées carnavalesques sans déguisement en semaine, les parades dans de nombreuses communes de Guyane, les concours de costumes de carnaval, cours de danse de carnaval, soirée tololo ...etc Le "Randé boutché" dans la tradition, se déroulait en dehors des défilés de touloulou du dimanche après midi, dans la région du plateaux des savanes, la région du "gragé" cette région s'étend de Kourou à Iracoubo. Pour les soirée "gragé" à la campagne, les habitants n'hésitaient pas à faire des dizaines de kilomètre à pied pour se rendre au lieu de réjouissance. Durant la semaine les gens allaient dans leurs abattis et le weekend c'est l'organisation de soirées "gragé" et la tradition du "Randé boutché" Les bals "gragé" pendant le carnaval ont une importance particulière, parce qu'ils sont associés à la tradition du "Randé boutché". Cette tradition se déroule loin des soirées carnavalesques, mais dans l'esprit du carnaval autrement. La tradition du "Randé boutché" est avant tout, lien et cohésion sociale pour la réalisation d'un fait social total. A travers un regard anthropologique, cette tradition véhicule un certains nombre de valeur comme le savoir faire et le savoir vivre, qui reflète l'identité créole.
Siècle(s) traité(s) : 20
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V17162
V17162

Résumé : Written on front: "______a del Carnaval. Habana. __een of the Carnival. Havana." Written on verso: "#2", "The Queen of the Carnival with her Maids in the break in which they ride during the Carnival parades. They have stopped for a moment in front of the official reviewing stand located on the Malecon drive. Note the 'serpentinas' which have been thrown at the Queen and her party are hanging on the break." Also, "Used 1919." Probably used by the Munson Steamship Line in their publication, The Cuba Review.
1900-1920
CHC5017
Havana (Cuba)

Droits : http://merrick.library.miami.edu/digitalprojects/copyright.html
chc50170001300001001
1353

Éditeur(s) : CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines
Extrait de : "Patrimonialisation et développement dans la Caraïbe et les Amériques" : colloque international, du 2 au 4 mars 2011. Université des Antilles et de la Guyane
Description : Historiquement le Carnaval cayennais avant les années 60 est créole, puis les vagues migratoires contribuent à créer un carnaval par groupes ethniques. Le carnaval est ainsi le reflet de la division ethnique de la Guyane, avec les créoles guyanais, les autochtones et les étrangers (dont antillais français et métropolitain). En effet, le discours sur la société guyanaise est une mosaïque de peuples, une société tolérante et métissée, fier de sa diversité et de sa multiculturalité. D'un simple défilé, il est devenu une grande parade où la compétition entre les groupes ethniques surtout le dimanche gras est forte. Le carnaval est alors une preuve d'intégration en définissant l'attitude a adopter pour se construire une identité et intégrer les frontières ethniques.
Siècle(s) traité(s) : 21
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V12099
V12099

Résumé : Photo date stamped on verso: January 29, 1975.
(Biographical) "Thousands of Cuban exiles of all ages will take part in parades and other events in Greater Miami during the week starting today to commemorate the birthday of Cuban patriot Jose Marti, born Jan 28, 1853. The largest parade will have an estimated 5,000 children from Latin private schools marching at 10:00 am, Tuesday from Brickell Avenue at SE 6th Street to Bayfront Park. There, each child will place a white flower in front of the bust of Jose Marti ..." -- Article by Humberto Cruz in the Miami News, January 22, 1975, page 10A.
(Preferred Citation) Cite as Miami News Collection, HistoryMiami, 1995-277-3103.
Miami, Florida

Droits : All rights reserved by the source institution.
1995-277-3103
http://ufdc.ufl.edu/AA00015764/00001

Résumé : Item received on 1/18/2012
Panama -- Central America -- Panama Canal Zone

Droits : The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. This item may be protected by copyright but is made available here under a claim of fair use (17 U.S.C. §107) for non-profit research and educational purposes. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services (UFDC@uflib.ufl.edu) with any additional information they can provide.
2009.021.023.001
http://ufdc.ufl.edu/PCMI006582/00001

Résumé : Photo date stamped on verso: December 5, 1975.
(Preferred Citation) Miami News Collection, HistoryMiami, 1995-277-3100.
(Biographical) Saint Barbara's feast day is December 4.
Miami, Florida

Droits : All rights reserved by the source institution.
1995-277-3098
http://ufdc.ufl.edu/AA00015770/00001

Résumé : Photo date-stamped on back: December 17, 1975.
(Biographical) "The cult of Saint Lazarus is one of the most popular traditions in [Cuba]. This worship emerged of the catholic and Yoruba religions ... Lazarus is compared to Babalú Aye, an orisha Yoruba, who was invoked to heal health problems. On December 17th many believers travel from every part of the country to visit the Sanctuary of Saint Lazarus ... south [of] Havana." -- http://www.cuban-traditions.com/religions/catholic/saint_lazarus/saint_lazarus.html.
(Biographical) This procession may have been sponsored by St. Lazarus Catholic Church, 1778 NW 3 Street, Miami.
(Preferred Citation) Cite as Miami News Collection, HistoryMiami, 1995-277-3100.
Miami, Florida

Droits : All rights reserved by the source institution.
1995-277-3100
http://ufdc.ufl.edu/AA00015769/00001

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : Cet article traite de la spécificité de l’activité touristique à Bali, fondée sur une identité locale forte et un riche patrimoine naturel et culturel mais aussi troublante en raison de l’importance et la complexité des jeux d’acteurs, ou encore des contextes sociaux, religieux et géopolitiques propres à ce territoire insulaire. Nous analyserons les liens pérennes ou non entre patrimoine et développement en focalisant sur ce qui fait l’image de marque de Bali sur les plans touristique et politique : le tourisme culturel. Cette étude de cas illustre les dynamiques d’acteurs dans le cadre de l’île de Bali où l’on constate une forte imbrication entre tourisme international, protection de l’environnement et promotion du patrimoine culturel. Vendue comme un paradis tropical, perçue comme l'île des Dieux, Bali se voit contrainte de mesurer les risques d'un tourisme culturel qui se transformerait trop rapidement en culture touristique. Des pistes seront proposées afin d’encourager l’ensemble des acteurs à œuvrer pour que le « dernier paradis » (last paradise) ne devienne pas un « paradis perdu » (lost paradise).
Since the 1930s, Bali has been generally seen as a traditional tourism destination quite fashionable. Nowadays, a new kind of tourism, rather esoteric if not totally spiritual, is emerging on this small “paradise” often referred as a natural untouched and cultural preserved island. To attire more international tourists, the “Island of Gods”, as the tourism promoters still name this tropical holiday paradise, is now also targeting on the industry of “well-being”. This article deals about the specificity of the local tourism activity which is based on a strong cultural identity and a rich natural and also religious heritage. Uncontrolled development of this predatory industry brings also a lot of new problems, such as pollution or acculturation. Here, our aim is to focus and analyse the real and false ties between heritage, development and tourism, always by keeping in mind that the regional motto about tourism policy still is to encourage “cultural tourism” as a real model (a “brand”, in fact) of success. We especially try to explain, in this current work (still in progress), the touristic situation in the main cultural site located on the island: Ubud. This small city, really boosting during the last decade, is worldwide reputed for the rich cultural performances and seen as “the” artistic capital of Bali. Ubud offers also a perfect example of an intense and dynamic bond between cultural heritage and economic development. Often for the best and sometimes also for the worse. In this rural but international spot, it seems that tourism business allows the local population to live in better ways and, sometimes, even to reborn, culturally speaking! Our case study shows also the big threats behind the current tourism policy: the large scale business occurred by globalization and all the tourism opportunities thus provided cannot hide the real weakness that for sure also concern the balinese way of thinking and living. Cultural tourism could rapidly be transformed in a dangerous kind of tourism of the culture, with all the big (and bad) changes the Balinese don’t want to see happening on their lovely and holy island. So, the present reflection conducts us to think more deeply on some new and alternative ways of developing tourism in Bali. Finally, our aim is to think, first by listening to the desire of the Balinese themselves, in which best manner this “last paradise” will not become a “lost paradise”.
Bali

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.5385
http://journals.openedition.org/etudescaribeennes/5385

Éditeur(s) : College of The Bahamas College of The Bahamas ( Nassau, Bahamas. )
Résumé : A study of violence at Junkanoo parades.

Droits : All rights reserved by the source institution.

Résumé : Item received on 5/12/2011
(Original Location) Vault FC#1_d1
Panama -- Central America

Droits : The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. This item may be protected by copyright but is made available here under a claim of fair use (17 U.S.C. §107) for non-profit research and educational purposes. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact Digital Services (UFDC@uflib.ufl.edu) with any additional information they can provide.
2002.144.031.001
http://ufdc.ufl.edu/PCMI007694/00001