Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Steel pan music, which evolved from African drum music, originated in Trinidad and Tobago in the early 20th century and is often a featured instrument during Carnival. As one of the national emblems of Trinidad and Tobago, steel pans were traditionally made from used steel oil drums or steel containers. The container’s head is concave and the playing surface is divided into convex sections by slants to make the pan's range of sounds. In this image are used steel oil drums, some steel pans with the Shell Oil Company logo and the word "Invaders," painted white metal steel pan stands, and breadfruit trees. One poster is advertising the Shell Invaders Steel Orchestra. Other signs includes phrases such as: "We are the greatest" and "Notice there is to be no unnecessary coasting in the yard." In the background is a woman standing on top of a concrete building's roof with laudry and men standing near the wall. Slide labeled Trin. 16.
Trinidad and Tobago -- South America -- Trinidad
Trinidad and Tobago -- Caribbean region -- Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031210/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
A steel pan instrustment maker, is looking at the surface markings on a steel pan instrument. These markings will be used as outlines to divide the pan’s surface into convex sections to make its range of sound. Each section will be pounded into shape with a hammer. This particular steel pan is made from a used steel oil drum. The steel pan, a percussion instrument, originated in Trinidad and Tobago and is one of the country’s national emblems. In the background of the image are other used steel oil drums and white metal steel pan stand. Slide labeled Trin. 19.
Trinidad and Tobago -- South America -- Trinidad
Trinidad and Tobago -- Caribbean region -- Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031222/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Two steel pan instrument makers are hammering the surfaces of drums to make the range of sound for steel pan instruments. One of the men is hammering a white steel drum, while the other is in the distance near red steel drums. These particular steel pans are made from used steel oil drums. The steel pan, a percussion instrument, originated in Trinidad and Tobago and is one of the country’s national emblems. In the yard are other used steel oil drums, white metal steel pan stands, and many breadfruit trees. In the background are buildings, some made of wood with zinc paneled roofs. There is also a poster advertising the Shell Invaders Steel Orchestra, a steel band active during the 1960s and sponsored by Shell Oil Company. Some of the notices in the yard read as follows: "Notice don't sit stand lean or prop on the stands," "We are the greatest," "Notice absolutely no unnecessary coasting in the yard." Slide labeled Trin. 17
Trinidad and Tobago -- South America -- Trinidad
Trinidad and Tobago -- Caribbean region -- Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031211/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
A steel pan instrument maker is resting his elbow on a steel pan, which has been connected to a metal steel pan stand. These particular steel pans are made from used steel oil drums. The steel pan, a percussion instrument, originated in Trinidad and Tobago and is one of the country’s national emblems. In the yard are other used steel oil drums, white metal steel pan stands, and a breadfruit tree. In the background are buildings, some made of wood with zinc paneled roofs. Slide labeled Trin. 18.
Trinidad and Tobago -- South America -- Trinidad
Trinidad and Tobago -- Caribbean region -- Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031221/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
The West Indian Flamingo is the national bird of The Bahamas. Concern for the protection of the West Indian Flamingo was reinforced with the creation of the Wildbirds Protection Act of 1905.The Bahamas National Trust, created by an Act of Parliament in 1959, manages the country’s national parks and conservation efforts of natural resources. The island of Great Inagua, the third largest and southernmost island in The Bahamas, is where the majority of West Indian Flamingos can be found. Hedley Vivian Edwards, in the background, can be seen commanding the flamingos during their march.
Greater flamingo (Emblem) -- Bahamas

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 15:11
http://ufdc.ufl.edu/AA00029409/00001

Éditeur(s) : CRILLASH : Centre de recherches interdisciplinaires en lettres, langues, arts et sciences humaines CRILLASH : Centre de recherches interdisciplinaires en lettres, langues, arts et sciences humaines
Résumé : Suite à l'exode urbain du milieu du XXième siècle, le milieu des conteurs a subit une modification de son public et de ses lieux d'oralité. Actuellement, cette pratique culturelle subit une forte influence de la part des politiques qui cherchent à l'institutionnaliser. Le conte devient ainsi un objet culturel représentatif d'une lanque créole et emblème d'une population.
Martinique
21
20

Droits : Document protégé par le droit d'auteur
fichiers:HASHe7a34e448329ef1663ce71

Éditeur(s) : McLoughlin Brothers McLoughlin Brothers ( New York )
Résumé : "By arrangement with Messrs. Cassell and Company ... the illustrations ... have been printed from electrotypes from the original wood engravings."--Publisher's note.
Lovett does not list this reissue by McLoughlin of the text originally published in 1891 by Cassell & Co. This issue has the publishers's note in place of the publisher's emblem on the verso of the t.p. Cf. Lovett, R.W. Robinson Crusoe, 727.
Front. is included in pagination.
Parts I and II of Robinson Crusoe. Part II originally published under title: Farther adventures of Robinson Crusoe.
(Statement of Responsibility) by Daniel Defoe ; with one hundred and twenty original illustrations by Walter Paget
United States--New York--New York

Droits : This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions may require permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact The Department of Special and Area Studies Collections (special@uflib.ufl.edu) with any additional information they can provide.
SN01270
4660125
001825738

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
A steel pan maker is hammering the surface of a steel pan instrument to make its range of sound. This particular steel pan is made from a used steel oil drum. The steel pan, a percussion instrument, originated in Trinidad and Tobago and is one of the country’s national emblems. In the background of the yard are other used steel oil drums, a zinc paneled fence, and piles of wood. Slide labeled Trin. 20.
Trinidad and Tobago -- South America -- Trinidad
Trinidad and Tobago -- Caribbean region -- Trinidad

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031223/00001

Éditeur(s) : Paris : Challamel Ainé

Droits : Domaine public
Provenance : Communauté d'agglomération de La Rochelle. Médiathèque Michel-Crépeau
Permalien : http://www.manioc.org/patrimon/MMC16022
MMC16022

Droits : Domaine public
Provenance : Ville de Pointe-à-Pitre. Réseau des bibliothèques
Permalien : http://www.manioc.org/patrimon/PAP11177
PAP11177

Éditeur(s) : Paris : Imprimerie nationale
Siècle(s) traité(s) : 18
Droits : Domaine public
Provenance : Collectivité territoriale de Martinique. Bibliothèque Schoelcher
Permalien : http://www.manioc.org/patrimon/SCH13021
SCH13021

Extrait de : Le Globe trotter, n°166 pp214-216
Résumé : Article 3 p. 1 gravure 7 photos
Siècle(s) traité(s) : 20
Droits : Domaine public
Provenance : ORkidé|Fonds privé Pierre Rostan
Permalien : http://www.manioc.org/patrimon/ORK12166
ORK12166

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : Les grands domaines naturels, rattachés aux diverses stations de villégiature, étaient dépositaires des meilleurs lacs à truites, d’immenses territoires de sauvagine, de cerf de Virginie et d’un grand nombre de rivières à saumon. Si le littoral et la montagne ont agi comme attracteurs dans le cas de la villégiature, il en a été autrement pour les clubs de chasse et de pêche, qui sont apparus au milieu du XIXe siècle et se sont multipliés à compter de 1885. En l’occurrence, la mécanique à l’œuvre semble avoir posé la « grande nature » comme visée territoriale et le « coureur des bois » comme figure emblématique du héros romantique. L’argument développé dans cet article va s’employer à montrer que le tourisme et la villégiature ont constitué au Québec des procédures de valorisation positionnelle de nature géoanthropologique. Le « clubage » des Laurentides, au sens large du terme, aura constitué en ce sens le présupposé de leur colonisation intérieure. Qu’il s’agisse du lac Saint-Jean, de la Mauricie ou des Laurentides en général, on retrouve l’efficacité du parcours structural de l’établissement humain développé en géographie structurale : l’occupation utilitaire d’un territoire disponible présuppose non pas d’abord une transformation de la nature, mais une valorisation des positions abstraites par le tourisme et la villégiature. 
The large natural areas, linked to the various resorts, were custodians of the best trout lakes, huge areas of waterfowl, deer of Virginia and a large number of salmon rivers. If the coast and the mountains acted as attractors in the case of the holiday, it was different for the club hunting and fishing, which have emerged in the mid-nineteenth century and have increased from 1885. In this case, the mechanics at work seems to have raised the "great outdoors" as a territorial and "rider of the woods" as emblematic figure of the romantic hero. In this case, the mechanics at work seems to have raised the "great outdoors" as a territorial and "rider of the woods" as emblematic figure of the romantic hero. The argument developed in this article will seek to show that tourism and vacationing were in Quebec recovery procedures such as positional geo-anthropological. The “clubage” Laurentian, in the broadest sense, will be formed in this sense the assumption of internal colonization. Whether Lake Saint-Jean, Mauricie and Laurentides in general, we find the effectiveness of the structural pathways of human settlement geography developed structural: the occupation of territory utility presupposes not available not primarily a transformation of nature but a recovery of vague ... by the tourism and the holiday resort.
Québec

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.3609
http://journals.openedition.org/etudescaribeennes/3609

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
The sail boat in the foreground is loaded with conch shells. Queen conch is a national emblem of the Bahamas and used in many popular dishes. The Bahamian coat of arms' crest features a pink conch shell. Behind this boat are many other anchored sailboats carrying cargo. Slide labeled Docks Nassau, April '65.
Bahamas -- North America -- Nassau, New Providence Island

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 17:13
http://ufdc.ufl.edu/AA00029532/00001

Éditeur(s) : Paris : Adrien Egron ; Imprimerie de Gueffier ; Baudouin frères; Imprimerie de Fain

Droits : Domaine public
Provenance : Archives départementales de Guadeloupe
Permalien : http://www.manioc.org/patrimon/HASH0162c27c3995e1f288e6dcb5
HASH0162c27c3995e1f288e6dcb5

Éditeur(s) : Paris : chez Pillet aîné
Siècle(s) traité(s) : 19
Droits : Domaine public
Provenance : Collectivité territoriale de Martinique. Bibliothèque Schoelcher
Permalien : http://www.manioc.org/patrimon/SCH13172
SCH13172

Éditeur(s) : Lyon : chez l'éditeur des annales
Extrait de : Collection faisant suite aux lettres édifiantes
Siècle(s) traité(s) : 19
Droits : Domaine public
Provenance : Archives territoriales de Guyane
Permalien : http://www.manioc.org/patrimon/GAD11049
GAD11049

Éditeur(s) : Basse-Terre : Imprimerie du Gouvernement
Siècle(s) traité(s) : 19
Droits : Domaine public
Provenance : Communauté d'agglomération de La Rochelle. Médiathèque Michel-Crépeau
Permalien : http://www.manioc.org/patrimon/MMC16040
MMC16040

Éditeur(s) : HAL CCSD Society of Environmental Toxicology and Chemistry Press (SETAC)
Résumé : International audience
Tributyltin (TBT) and triphenyltin (TPT) are emblematic endocrine disruptors, which have been mostly studied in gonochoric prosobranchs. Although both compounds can simultaneously occur in the environment, they have mainly been tested separately for their effects on snail reproduction. Because large discrepancies in experimental conditions occurred in these tests, the present study aimed to compare the relative toxicity of TBT and TPT under similar laboratory conditions in the range of 0 ng Sn/L to 600 ng Sn/L. Tests were performed on the simultaneous hermaphrodite Lymnaea stagnalis, a freshwater snail in which effects of TPT were unknown. Survival, shell length, and reproduction were monitored in a 21-d semistatic test. Frequency of abnormal eggs was assessed as an additional endpoint. Triphenyltin hampered survival while TBT did not. Major effects on shell solidity and reproduction were observed for both compounds, reproductive outputs being more severely hampered by TBT than by TPT. Considering the frequency of abnormal eggs allowed increasing test sensitivity, because snail responses to TBT could be detected at concentrations as low as 19 ng Sn/L. However, the putative mode of action of the 2 compounds could not be deduced from the structure of the molecules or from the response of apical endpoints. Sensitivity of L. stagnalis to TBT and TPT was compared with the sensitivity of prosobranch mollusks with different habitats and different reproductive strategies.
Environmental Toxicology and Chemistry

hal-00877955
https://hal.archives-ouvertes.fr/hal-00877955
DOI : 10.1002/etc.2200
PUBMED : 23450754