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  • Notice détaillée
    Titre : Cité Le Raizet, Les Abymes, 2012.
    Lieu de la prise de vue : Les Abymes
    Date : 2012
    Extrait de : Cham, la mémoire vivante
    Type : Photographie - Couleur
    Description : Enrick features a “Mas-a-fwet”, “Mas Ka Klé” group In the context of the “Mas”, the only one missing is the white colonizer, who still appears through strong symbolic objects, like the whip, and through the figure – after all omnipresent – of the white oppressor one wants to fight and in opposition of whom one is defined. For instance, the use of whips reminds of the violence of the enslavement practiced during slavery. The masks then re-appropriate the main instrument of the slavery oppression, the symbol of a traumatic submission, in a mechanism of strategic reversal. Yet, the whip is never used to physically injure. The physical violence of the whip at the hands of the master becomes here a symbolic and moral violence in the hands of the Masks, which aims to shake the memories like an electroshock.
    Mots-clés : Les Abymes - 21e siècle
    Conditions d'utilisation : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
  • Notice détaillée
    Titre : The call to “charge”, members of the “Mas-ka-klé” group These young members of the “Mas Ka Klé” group are called to the “charge” by the most senior ones.
    Lieu de la prise de vue : Les Abymes
    Extrait de : Cham, la mémoire vivante
    Type : Photographie - Couleur
    Description : This moment, that borrows a lot from the imaginary of the maroon slaves communities, is also an occasion to reaffirm the group’s identity values and to emotionally load the youth for the “charge”. The “charge” is an unwavering, almost military march, at the side of the Carnival’s official parade. Cité Le Raizet, Les Abymes.
    Mots-clés : Les Abymes - 21e siècle
    Conditions d'utilisation : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification

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