![]() | Regards croisés sur : "L'hybridation dans l'art" ; Regards croisés sur l'hybridation dans l'art ; Regards croisés sur l'hybridation dans l'art Auteur(s) : Sentier Brossard, Lise Berry, Anne-Catherine Sentier Brossard, Lise Berry, Anne-Catherine Sentier Brossard, Lise Auteurs secondaires : Berthet, Dominique Berthet, Dominique Berthet, Dominique Année de publication : Loading the player... Éditeur(s) : Université des Antilles et de la Guyane CEREAP : Centre d'Etudes et de Recherches en Esthétique et Arts Plastiques IUFM : Institut Universitaire de Formation des Maîtres de Martinique CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines Extrait de : "Regards croisés sur : L'hybridation dans l'Art" : Conférence du CEREAP, le 18 octobre 2011. Institut Universitaire de Formation des Maîtres de Martinique Résumé : Pour illustrer une nouvelle série sur l'Art et la Culture, le CEREAP propose le thème suivant : « Regards croisés sur l'hybridation dans l'Art ». Qu'est-ce que l'hybridation en Art plastique ? Quelle démarche artistique se cache derrière ce nouveau langage ? Comment l'hybridation s'intègre-t-elle dans la peinture et la photographie ? Et qui sont les artistes qui adoptent ce nouveau modèle d'expression (Jane Alexander, Sigmar Polke, Orlan etc). Cette conférence est suivie par un débat avec les intervenants. Pour illustrer une nouvelle série sur l'Art et la Culture, le CEREAP propose le thème suivant : « Regards croisés sur l'hybridation dans l'Art ». Qu'est-ce que l'hybridation en Art plastique ? Quelle démarche artistique se cache derrière ce nouveau langage ? Comment l'hybridation s'intègre-t-elle dans la peinture et la photographie ? Et qui sont les artistes qui adoptent ce nouveau modèle d'expression (Jane Alexander, Sigmar Polke, Orlan etc). Cette conférence est suivie par un débat avec les intervenants. Siècle(s) traité(s) : 20 Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification Permalien : http://www.manioc.org/fichiers/V12118 V12118 V12118 V12118 | Partager Voir aussi Art Architecture Sculpture Peinture Photographie Couleur Image Hybridation Art contemporain Photomontage Télécharger ![]() |
![]() | View of the Adderley building and the back of the Queen Victoria statue ; The Bryant Slides Collection ; The Bryant Slides Collection, Bahamas Nassau Hope Town Auteur(s) : Adams-Acton, John, 1830-1910 ( Artist ) Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location. Pictured is the back of the Queen Victoria statue by sculpture John Adams-Acton, flanked by two cannons. The statue, located in Nassau's Parliament Square, was erected in celebration of Queen Victoria's birthday on May 24, 1905. To the right of the statue can be seen the former Colonial Secretary's Office, built in 1805 by James Tait, which today houses the government administrative offices. Parliament Square's pink government buildings, examples of Classical style architecture, were constructed in the early 1800s by Loyalists who came to the Bahamas from North Carolina. In the background is the former Adderley building, where the Churchill building now stands. Bahamas -- North America --Nassau, New Providence Island Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu CFM1972_01a Sheet 14:4 http://ufdc.ufl.edu/AA00029329/00001 | Partager |
![]() | Jardin Botanico Auteur(s) : Kesse, Erich J., 1959- North America -- Puerto Rico -- Puerto Rico -- San Juan -- San Juan -- Rio Pedras Caribbean Droits : 2007, Erich Kesse - CC: at-nc-sa (Creative Commons license requiring attribution, prohibiting commercial uses, and requiring rights-share for use of this image.) | Partager |
![]() | Christopher Columbus statue in Havana ; The Bryant Slides Collection ; The Bryant Slides Collection, Cuba Auteur(s) : Unknown ( Photographer ) Cucchiari, J. ( Sculptor ) Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location. This statue is located at el Palacio de los Capitanes Generales in Havana, Cuba. The palace used to house the captain general, or governor of Cuba when the island was under Spanish control. It is located on calle tacon near obispo, in old Havana. Christopher Columbus marble monument was installed in the year 1862 by the Italian sculptor J. Cucchiari. Cuba -- Caribbean region -- Havana Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu CFM1972_01a Sheet 85: 8 http://ufdc.ufl.edu/CA01200474/00001 | Partager |
![]() | L' esclave Année de publication : ![]() Extrait de : Manuel d'histoire d'Haïti (Page 138) Résumé : Cliché représentant une statue d'esclave réalisée par le sculpteur haïtien Normil Charles, décédé en 1938. Siècle(s) traité(s) : 20 Droits : Domaine public Permalien : http://www.manioc.org/images/PAP110770148i1 PAP110770148i1 | Partager |
![]() | Ruines de Mitla dans la Province d'Oxaca Auteur(s) : Bouquet ![]() Extrait de : "Vues des cordilléres et monumens des peuples indigénes de l'Amérique (Entre p.278 etp.279) Siècle(s) traité(s) : 19 Droits : Domaine public Permalien : http://www.manioc.org/images/FRA111910009i1 FRA111910009i1 | Partager |
![]() | La photographie dans les arts plastiques ; La photographie dans les arts plastiques ; La photographie dans les arts plastiques Auteur(s) : Thiollier, Catherine Henri, Hugues Barret, Jean-Baptiste Thiollier, Catherine Henri, Hugues Barret, Jean-Baptiste Thiollier, Catherine Henri, Hugues Auteurs secondaires : Berthet, Dominique Berthet, Dominique Berthet, Dominique Année de publication : Loading the player... Éditeur(s) : Université des Antilles et de la Guyane CEREAP : Centre d'Etudes et de Recherches en Esthétique et Arts Plastiques IUFM : Institut Universitaire de Formation des Maîtres de Martinique Université des Antilles et de la Guyane Extrait de : "La photographie dans les arts plastiques" : Conférence du CEREAP, le 18 octobre 2011. Université des Antilles et de la Guyane Résumé : "Monsieur Dominique Berthet, nous présente une conférence autour du thème "La photographie dans les arts plastiques" à partir de travaux photographiques liés à une période contemporaine allant de 1960 à nos jours. Comment la photographie intervient-elle dans le champ des artistes ? Trois regards sont proposés à travers les travaux de Gerhard Richter, Cindy Sherman et George Rousse. Un débat clôture cette conférence." "Monsieur Dominique Berthet, nous présente une conférence autour du thème "La photographie dans les arts plastiques" à partir de travaux photographiques liés à une période contemporaine allant de 1960 à nos jours. Comment la photographie intervient-elle dans le champ des artistes ? Trois regards sont proposés à travers les travaux de Gerhard Richter, Cindy Sherman et George Rousse. Un débat clôture cette conférence." Siècle(s) traité(s) : 20 Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification Permalien : http://www.manioc.org/fichiers/V12112 V12112 V12112 V12112 | Partager Voir aussi Architecture Photographie Peinture Sculpture Couleur Illusion Lumière Image Perspective Construction artistique Télécharger ![]() |
![]() | The Entrance Gates, Plant Park, the the Tampa Bay Hotel with it's unique minarets. Auteur(s) : Burgert Brothers, 1917- ( Photographer ) Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby.
The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe.
The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and
glistening in the sun." It was a Victorian palace.
The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack. (Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project. Tampa |z 1271000 |2 ceeus Hillsborough County |z 12057 |2 ceeus United States of America -- Florida -- Hillsborough County -- Tampa Lafayette Street Droits : All rights reserved. 2005. D20-008 | Partager |
![]() | Statue of Josephine ![]() Extrait de : Two Years in the French West Indies (p. 66 ) Résumé : Statue de Joséphine située sur la savane de Fort-de-France Siècle(s) traité(s) : 19 Droits : Domaine public Provenance : Université des Antilles et de la Guyane. Service commun de la documentation Permalien : http://www.manioc.org/images/HASHdbcb02bbbfea08b66a9289 HASHdbcb02bbbfea08b66a9289 | Partager Documents liés :
Télécharger ![]() |
![]() | An Early view of the Tampa Bay Hotel. Auteur(s) : Burgert Brothers, 1917- ( Photographer ) Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby.
The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe.
The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace.
The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack. (Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project. Tampa |z 1271000 |2 ceeus Hillsborough County |z 12057 |2 ceeus United States of America -- Florida -- Hillsborough County -- Tampa Droits : All rights reserved. 2005. D29-014 | Partager |
![]() | Luz Severino, un regard critique sur le monde Auteur(s) : Berthet, Dominique Année de publication : Loading the player... Éditeur(s) : LC2S : Laboratoire Caribéen de Sciences Sociales Extrait de : "Matrimoine-Afro-Américano-Caribéen (MAAC) : Enjeux, pratiques, représentations" : journée d'études, le 25 octobre 2021. Université des Antilles Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification Permalien : http://www.manioc.org/fichiers/V22012 V22012 | Partager |
![]() | Le même vu de côté. Auteur(s) : Lamoisse, E. ![]() Extrait de : Album des principaux outils, amulettes et autres objets d'origine caraïbe faisant partie d'une collection ethnographique recueillie à la Guadeloupe par le docteur F. L' Herminier et Math. Guesde / envoyé par le Comité d'exposition à la Pointe-à-Pitre à l'Exposition universelle de 1867. (Pl. V.) Résumé : Collier en pierre vu de profil orné d'une sculpture Droits : Domaine public Permalien : http://www.manioc.org/images/SCH132130037i1 SCH132130037i1 | Partager |
![]() | Fort-de-France Auteur(s) : Riou, Édouard (1833-1900) ![]() Extrait de : Chez nos Indiens, quatre années dans la Guyane française (1887-1891) (p.601) Siècle(s) traité(s) : 19s Droits : Domaine public Provenance : Université des Antilles et de la Guyane. Service commun de la documentation Permalien : http://www.manioc.org/images/HASH01dd8a1e3d245f3af0cda6ba HASH01dd8a1e3d245f3af0cda6ba | Partager Documents liés :
Télécharger ![]() |
![]() | Trinidad neighborhood ; The Bryant Slides Collection ; The Bryant Slides Collection, Cuba Auteur(s) : Unknown ( Photographer ) Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location. A colorful neighborhood in Trinidad. All of the residential areas have small gates, as do the small gardens in the center of the paved walkway. There are several royal palms, and the city is in the distance. Cuba -- Caribbean region -- Trinidad Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu CFM1972_01a Sheet 85: 6 http://ufdc.ufl.edu/CA01200472/00001 | Partager |
![]() | Monument sculpté attribué aux Caraïbes, découvert aux environs des Trois-Rivières (moule en plâtre de M. Guesde). Auteur(s) : Lamoisse, E. ![]() Extrait de : Album des principaux outils, amulettes et autres objets d'origine caraïbe faisant partie d'une collection ethnographique recueillie à la Guadeloupe par le docteur F. L' Herminier et Math. Guesde / envoyé par le Comité d'exposition à la Pointe-à-Pitre à l'Exposition universelle de 1867. (Pl. XIII.) Résumé : Sculpture sur monument. Droits : Domaine public Permalien : http://www.manioc.org/images/SCH132130033i1 SCH132130033i1 | Partager |
![]() | La Nymphée de Chatou. ( Oeuvre de Soufflot ) Année de publication : ![]() Extrait de : Silhouettes et documents du XVIII e siècle : Martinique, Périgord, Lyonnais, Ile-de-France (En regard de la page 88) Résumé : Cliché Siècle(s) traité(s) : 18 Droits : Domaine public Permalien : http://www.manioc.org/images/PAP110570117i1 PAP110570117i1 | Partager |
![]() | La Victoire, statue romaine. ![]() Éditeur(s) : Musée de Carthage Extrait de : Les Colonies françaises, petite encyclopédie coloniale (p. 377) Siècle(s) traité(s) : 19 Provenance : Communauté d'agglomération de La Rochelle. Médiathèque Michel-Crépeau Permalien : http://www.manioc.org/images/MMC16023-1-0410i1 MMC16023-1-0410i1 | Partager |
![]() | The Tampa Bay Hotel upon it's completion,1892. Auteur(s) : Burgert Brothers, 1917- ( Photographer ) Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby.
The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe.
The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace.
The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack. (Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project. Tampa |z 1271000 |2 ceeus Hillsborough County |z 12057 |2 ceeus United States of America -- Florida -- Hillsborough County -- Tampa Droits : All rights reserved. 2005. D29-0015 | Partager |
![]() | A Large sailboat sits on the Hillsborough River near the pier for the Tampa Bay Hotel. Auteur(s) : Burgert Brothers, 1917- ( Photographer ) Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby.
The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe.
The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace.
The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack. (Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project. Tampa |z 1271000 |2 ceeus Hillsborough County |z 12057 |2 ceeus United States of America -- Florida -- Hillsborough County -- Tampa Droits : All rights reserved. 2005. | Partager Voir aussi Hotel ( Building, Structures ) ( nmc ) Tampa Bay Hotel (West Lafayette and Hyde Park Avenue) ( nmc ) Hotels ( lctgm ) Plant Park (West Lafayette Street opp Hyde Park Avenue) ( lctgm ) Parks ( lctgm ) Plant Park (Tampa, Fla.) â Photographs ( lcsh ) Rivers ( lctgm ) Hillsborough River ( lctgm ) Sailboats ( lctgm ) Minarets ( lctgm ) |
![]() | Lamoricière Auteur(s) : Iselin, Henri-Frédéric (1825-1905) ![]() Extrait de : Les Colonies françaises, petite encyclopédie coloniale (p. 237) Résumé : La Moricière, Christophe-Louis-Léon Juchault de (1806-1865). Comte, général et homme politique. Député de Mamers (Sarthe), ministre de la guerre. Exilé après le coup d'Etat du 2 décembre 1851, il est entré au service du pape. Siècle(s) traité(s) : 19 Provenance : Communauté d'agglomération de La Rochelle. Médiathèque Michel-Crépeau Permalien : http://www.manioc.org/images/MMC16023-1-0271i1 MMC16023-1-0271i1 | Partager |