Éditeur(s) : AMC : Association Mélanges Caraïbes
Extrait de : "Albert Camus, Aimé Césaire : poétiques de la révolte" : colloque, du 13 au 15 novembre 2013. Université des Antilles et de la Guyane
Description : Il sera question pour Buata Malela d'examiner "les modalités par lesquelles Césaire et Camus construisent un rapport singulier au monde social et à celui de la pensée". Il émet l'hypothèse selon laquelle, "ce rapport singulier que Camus appelle la révolte se manifeste aussi à travers la notion de connaissance qui leur permet par la suite de développer une vision esthétique de la littérature dans l'univers beaucoup plus large en langue française".
Siècle(s) traité(s) : 21
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V14022
V14022

Éditeur(s) : CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines
Extrait de : "Réel merveilleux, réalisme merveilleux, réalisme magique et baroque (III)" : journée d'étude, le 7 mai 2015. Université des Antilles et de la Guyane
Description : Par quelle mathématique des signes le jeune auteur haïtien, Faubert Bolivar (1979), nous donne-t-il à saisir l'univers dramatique singulier de ses pièces de théâtre, La Flambeau et Jesika ou Bousiko, et l'espace fictionnel énigmatique de son récit poétique, Sainte Dérivée des trottoirs ? Comment évaluer cette expression littéraire qui semble toucher le possible extrême de certaines réalités haïtiennes connues, et pourtant si peu vraisemblables pour une catégorie de lecteurs, et la relation que développent les personnages de Bolivar avec ces topos récurrents dans son écriture livrée aux jeux de langage et d'onirisme avéré : la folie, l'intime et le cosmique (ou le religieux) ? Ainsi, parler de poétique du mystère, c'est esquisser le balbutiement d'une théorie littéraire qui est presqu'un prétexte à faire découvrir, à faire entendre, cette parole littéraire neuve, d'un autre ton, qui marque la rupture avec tout ce qui relèverait d'une esthétique du réel ou du réalisme merveilleux. Le mode d'intrusion des mystères-mêmes ? fantômes, fous ou esprits vodous ? dans les espaces réels énoncés par les textes bolivariens paraît résister absolument à ce penchant de certains critiques occidentaux à vouloir conclure hâtivement, concernant des écrits de ce style, en faveur de l'esthétique précitée. Mystère donc, comme l'écho de l'indicible dans l'agencement des signes, dans la stratégie de construction et de déconstruction de l'espace réel, imaginaire et symbolique, dans la mise en oeuvre textuelle des traits quasi insaisissables d'une culture individuelle et d'une culture collective, multiple, instable, fuyante, souvent étrange ? Mystère ?
Siècle(s) traité(s) : 20
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V15202
V15202
V15202

Éditeur(s) : GREAL : Groupe de Recherches en Esthétiques, Arts et Littératures
Extrait de : "L'oeuvre de Joseph Zobel : portées, héritages et modernité" : colloque international, du 14 au 16 octobre 2015. Université des Antilles
Description : Michelle MONROSE, Professeur de Lettres Modernes, aborde l'héroïsme, le mythe et l'épopée dans deux romans de Joseph Zobel. Elle souligne que l'imaginaire collectif martiniquais s'est retrouvé profondément influencé par toutes les histoires personnelles des personnages qui ne sont en réalité que le reflet d'une Histoire collective. Au travers des destins singuliers, parfois picaresques voire épiques, Zobel dresse une galerie de portraits qui a marqué et marquera longtemps encore l'écriture, l'inconscient (et le conscient), la pensée et la part collective de rêve (de fantasme ?) d'un peuple. Lieux, personnages, événements ; tout concoure à l'érection d'une de motifs récurrents qui fondent une écriture zobélienne ancrée dans le paysage, le parler, l'imaginaire martiniquais.
Siècle(s) traité(s) : 21
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V15354
V15354

Éditeur(s) : CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines
Extrait de : "L'impact des marges dans les capitales littéraires, artistiques, politiques" : journée d'étude, le 19 avril 2018. Université des Antilles
Description : Gérald DESERT, Doctorant à l'Université des Antilles, se propose de montrer à travers le dernier roman de Raphaël Confiant intitulé « L'épopée mexicaine de Romulus Bonnaventure » comment l'esthétique de la marge postule une certaine forme d'internationalisation de l'écriture. S'il est vrai que Raphaël Confiant est écrivain de la créolité, soit de la marge, il demeure que cet ouvrage, présente indubitablement des traits définitoires du Nouveau Roman Latino-américain dont les trois piliers s'articulent autour de la structure du récit, la dimension du mythe et l'exploration du langage. Rappelons que le stade de créolité n'est pas en rupture avec celui du Nouveau Roman de la Caraïbe ; il est continuité. Analyser le roman contemporain, écrit Jean Bessière, c'est se plonger au coeur des traditions romanesques occidentales et des traditions extérieures à l'Occident, là où se croisent le paradigmatique et le singulier. Cette étude entreprend de montrer comment l'esthétique de la marge, de la périphérie (Créolité-Nouveau Roman Caribée...) actualise une pensée transmoderne pluriverselle, soit un « universalisme diversel » qui remet en cause la notion de centre, par une posture de l'écrivain qui vise la redéfinition d'une identité qui passe par l'histoire, les mythes, le langage.

Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V18138
V18138

Résumé : Written on recto: "Interior of ideal house for Colonists early home (ou_____.) Written on verso: "Herradura. This house is actually a series of single room cabins, open above, with one high roof over all, if is consequently dry, light, and cool, as the air circulates freely on every side and overhead." Stamp on verso: "Art Dept. Blanchard Press, 268-270 Canal St, New York. Wm. Bengough, Illustrator." This image appeared in Munson Steamship Line's "The Cuba Bulletin" on page 23 in Nov. 1904 with the following caption: "Arrangement of rooms in a comfortable temporary log house. The open space under the roof makes the house very cool."
1900-1910
CHC5017
Pinar del Río (Cuba)

Droits : http://merrick.library.miami.edu/digitalprojects/copyright.html
chc50170004600001001
1405

Éditeur(s) : D. Appleton & Co. D. Appleton & Co. ( New York )
Résumé : (Citation/Reference) Checklist Amer. imprints
Spine title: Robinson Crusoe; caption title, p. 261: Life and adventures of Robinson Crusoe, updated.
Engravers include: Adolphe Best, Brévière, Cherrier, Cowland, Hans, Lacoste et Fils, Aglae Laisné, Nivet, Quartley, Rambert, Sears, Verdeil, and Whitehead et Sheeres.
Parts I and II of Robinson Crusoe. Part II originally published under title: Farther adventures of Robinson Crusoe.
Includes publisher's advertisement 4 p. and catalog (12 p.) at end.
Library's copy imperfect: all separate, single page illustrations lacking (approx. 80 p.).
(Statement of Responsibility) by Daniel Defoe ; with a memoir of the author, and an essay on his writings ; illustrated by Grandville.
United States -- New York -- New York

Droits : This item is presumed to be in the public domain. The University of Florida George A. Smathers Libraries respect the intellectual property rights of others and do not claim any copyright interest in this item. Users of this work have responsibility for determining copyright status prior to reusing, publishing or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions may require permission of the copyright holder. The Smathers Libraries would like to learn more about this item and invite individuals or organizations to contact The Department of Special and Area Studies Collections (special@uflib.ufl.edu) with any additional information they can provide.
27089962

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This photograph is of a typical middle-class home in Camaguey. The large earthen jars in front of the home is very popular in the region and is called a tinajóne. The tinajóns were first used to store grains, wines, and oils brought to Cuba by Spanish immigrants that settled in the area in the 1700s. The permanent lack of water of the first settlements changed the function of the tinajones from the traditional use to serving as water storage containers. It is popularly believed that during the 19th century, every single house in Camaguey used to have at least one tinajon. The water being stored was used for drinking and to cooking.
Cuba -- Caribbean region -- Camaguey

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 27: 18
http://ufdc.ufl.edu/CA01200437/00001

Résumé : This label was created on October 20th 1900. Around the turn of the 20th century, cigars were advertised and sold mainly by the colourful, intricate labels that adorned the boxes. Intense competition encouraged manufacturers to see who could create the most beautiful, eye-catching labels. A diffrent stone was required to print each colour. It was not unusual for as many as 20 stones to be used to create a single label. The register for each printing had to be perfect. The process became known as STONE LITHOGRAPHY or CHROMOLITHOGRAPHY. Once this exacting printing process was completed, the labels were then gilded with hand-applied gold leaf. Finally, the labels were embossed using huge 30-ton presses. According to Joe Davidson, the eminent American art dealer and collector, the "Golden Era" of cigar labels is associated with the introduction of gilding and embossing in the 1890's up to the late 1920's when the less attractive full-colour or photo-mechanical labels began to appear. Genuine gold leaf was used primarily by German and Cuban printers and "bronzing" in which bronze powder was mixed with lacquer or sizing, applied like ink, then burnished with brushes or polished rollers to make them gleam like gold. These particular labels were produced by the German factory, Gerhard Meinesz in Bentheim, near the Dutch border, and closed in 1932. The labels were used during the 1920's. These spectacular lithographs lithographs wound up lying unused and undiscovered for generations. Because they were printed on special long-fibre, acid-free rage paper, these old labels retained their original brilliant colours. Consequently, they are available in very limited quantities.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.
C24-05393

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
One story, wooden houses near a narrow path in Cherokee Sound, Great Abaco, Bahamas. The houses have been raised aboved the ground and are accessible via concrete steps. The windows have board coverings. Slide labeled Closed Houses Cherokee April '65.
Bahamas -- North America -- Cherokee Sound, Great Abaco

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 10:16
http://ufdc.ufl.edu/AA00028942/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
A man stands in the middle of a rock garden decorated with small pebbles and potted plants. A single tree grows in the center of this Jamaican garden. Surrounding the garden are a concrete wall and a two story building with a spiral staircase and rectangular glass windows.
Jamaica -- Caribbean region

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031134/00001

Éditeur(s) : Université des Antilles
Extrait de : "La Guadeloupe au sein de l'organisation des Etats de la Caraïbe orientale : une adhésion pour quoi faire ?" : journées d'étude, le 28 février et le 15 mars 2019. Université des Antilles
Description : Cet espace est fondé sur une géographie partagée, des liens historiques et culturels forts. Ces facteurs de rapprochement nous amènent à parler de cet espace au singulier alors qu?elle renvoie, en réalité, à une pluralité de situations. Caraïbe ou caraïbes ? C?est une des questions récurrentes qui appelle des réponses variant avec les critères choisis. Quelle que soit la définition adoptée, l?espace caraïbe est historiquement caractérisé par une circulation importante de personnes et de marchandises et des échanges souvent informels. Le Président de Région Ary Chalus, lors de la cérémonie à signé l?adhésion de la Guadeloupe, en présence notamment des chefs de gouvernements des pays membres de l?OECO* (Organisation des États de la Caraïbe Orientale).
Siècle(s) traité(s) : 21
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V19055
V19055

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This single span bridge is made with a stone arch and connects a dirt road separated by a small stream in Saint Ann, Jamaica. In the background is an agricultural farm growing bananas or plantains. Palm trees grow near the stream. Slide labeled Ocho Rios region.
Jamaica -- Caribbean region -- Saint Ann

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031125/00001

Résumé : single page with biographical information on Evelyn M. Williams
Virgin Islands

Droits : All rights reserved by the source institution.
http://ufdc.ufl.edu/AA00013510/00001

Résumé : The wide and deep rowboats used by Dominicans to cross the dangerous Mona Straits to the western coast of Puerto Rico are called yolas. Their captains are called yoleros and this name is sometimes applied to the passengers as well. This photo shows the depth of a yola and passengers are stacked within the hulls. It is common to have hundreds in a single yola.

Résumé : Árbol de tamaño mediano de hasta 6 m, copa redonda; ramas con espinas delgadas, flexibles, ocasionalmente ausentes. Hojas ampliamente elípticas de 6 a 11 cm de largo con el ápice obtuso o agudo, base cuneada a redondeada. Flores solitarias o en racimos cortos, blancas, aromáticas. Fruto globoso u oval, con 10 a 13 segmentos, pulpa amarillenta, dulce.
Arbre de taille moyenne pouvant atteindre 6 m, cime arrondie; branches avec épines fines, souples, parfois absentes. Feuilles très elliptiques de 6 à 11 cm de longueur avec une pointe obtuse ou aiguë, base rhomboïdale ou arrondie. Fleurs solitaires ou en grappes courtes, blanches, aromatiques. Fruit rond ou ovale, avec 10 à 13 segments, pulpe jaunâtre, sucrée.
Tree 6 -12 m tall with spines. Leaves ovate or oval-elliptic 5-15 cm x 2-8 cm, glabrous dark green above, margins serrate, petiole narrowly winged and articulate; flowers axillary, born single or in small racemes, 2-3cm in diameter, white, aromatic; fruit subglobose or oval, 4-12 cm in diameter, peel thick, ripening orange colour but often remaining green in the tropics, pulp sweet and juicy, seeds nil to many obovoid.
Nativa de Asia, ampliamente cultivada en regiones tropicales y subtropicales.
Originaire d’;Asie, cultivée dans de vastes régions tropicales et subtropicales.
Native to Asia, widely cultivated in tropical and subtropical regions.

http://www.tramil.net/fototeca/plant136

Résumé : Arbusto o arbolito glabro, de hasta 10 m de altura. Hojas alternas, lineares a linear-lanceoladas, estrechamente acuminadas, brillantes en el haz. Inflorescencia terminal o lateral con pocas flores; lóbulos de la corola obovados a ovado-lanceolados; corola hipocraterimorfa, de color naranja o rosado-amarillenta. Drupas rojas al madurar, con dos semillas.
Arbuste ou petit arbre glabre, pouvant atteindre 10 m de haut. Feuilles alternes, linéaires à linéaires-lancéolées, effilées à la pointe, brillantes sur le dessus. Inflorescence terminale ou latérale avec peu de fleurs; lobes de la corolle obovales à ovés-lancéolés; corolle hypocratérimorphe, de couleur orange ou rose-jaunâtre. Drupes rouges lorsqu’elles sont arrivées à maturité, avec deux graines.
Shrub or small tree 3-7 m high, glabrous with milky sap. Leaves spirally arranged, linear, 10-15 x 0.6-1cm, shiny on the upper side; Inflorescence terminal cymes, few-flowered; corolla tubular-campanulate, flower 7-8.5 cm long, bright yellow or pinkish-orange; fruit sickle-shape, 2 x 3 cm, yellow when ripe with a single triangular seed 2 x3 cm.
Nativa de América tropical, cultivada ampliamente en los trópicos de ambos hemisferios.
Originaire d’;Amérique tropicale, abondamment cultivée sous les tropiques des deux hémisphères.
Native to tropical America, widely cultivated in the tropica

http://www.tramil.net/fototeca/plant349

Résumé : Planta trepadora, glabra con zarcillos; ramas articuladas. Hojas alternas, simples, oblongas a aovadas, de hasta 15 cm, densamente pilosas a glabras, con el margen ligeramente dentado. Cimas pedunculadas, amarillas, muy ramificadas; flores pequeñas, verdes o amarillo-verdosas. Baya ovoide o globosa, purpúrea a negra, de 8 a 10 mm, con una sola semilla.
Plante grimpante, glabre avec vrilles; branches articulées. Feuilles alternes, simples, oblongues à ovées, pouvant atteindre 15 cm, fortement pileuses à glabres, au bord légèrement denté. Cimes pédonculées, jaunes, très ramifiées; fleurs petites, vertes ou jaune-verdâtre. Baie ovoïde ou arrondie, pourpre à noire, de 8 à 10 mm, avec une seule graine.
Climbing plant up to 20 m or more, glabrous with tendril; stem cylindrical often with hanging roots, branches articulate.  Leaves alternate, simple, oblong to ovate, 5-15 cm x 7.5 cm, hairy to smooth, with slightly dentate edge. Inflorescence a cyme two-three times branched; flowers light yellow; fruits a berry, purple-black, 8-10 mm long, with a single seed.
Regiones tropicales del continente americano.
Régions tropicales du continent américain.
Tropical regions of the American continent.

http://www.tramil.net/fototeca/plant126

Éditeur(s) : HAL CCSD Elsevier
Résumé : International audience
A series of two-stage torsion experiments on Carrara marble were conducted to constrain the influence of known prior deformation on rheological response and microstructural evolution. Comparison with previous experimental data on Carrara marble flow and fabric evolution during single-stage torsion deformation experiments provided direct insights into the significance of initial deformation at various conditions. Our experiments were conducted at 727 degrees C temperature and 300 MPa confining pressure, while maintaining a constant strain rate of 3 x 10(-4) s(-1) on the periphery of the cylindrical samples. Under these conditions, the marble is known to deform in power-law (n = 6-10) ductile flow. All torsion experiments were performed with a Paterson type gas-medium testing machine equipped with a torsion actuator module.;Prior (D1) and subsequent (D2) deformation are accomplished by two torsion experiments in sequence on same sample segments. The effect of D1 strain history is investigated during D2 by applying counter-clockwise torsion to a sandwich sample consisting of three segments with different D1 rotation sense. D2 samples experienced continued, first and reversed shearing deformation in top, centre and bottom segments, respectively. D2 bulk strain was chosen equal to D1 strain in top and bottom segments.;D1 experiments followed the typical single-stage deformation behaviour of Carrara marble under the applied experimental conditions. Yielding was followed by strain hardening until a peak stress was reached at a shear strain around 1, after which work softening occurred. Weakening gradually evolved into a constant stress regime. During hardening, a shear microstructure and crystallographic preferred orientation (CPO) developed. Afterwards the volume fraction of smaller dynamic recrystallised grains increased continuously, resulting in a recrystallisation microstructure and CPO at shear strains of 5 and higher. The new D2 experiments displayed a strain variation between homogeneously deformed sample segments that increased with increasing D1 strain. The stress-strain behaviour of the D2 bulk sandwich samples showed less pronounced work-hardening and -softening when compared with single-stage deformation experiments. Furthermore, constant flow stress was attained at increasingly lower strain with increasing D1 strain. In most D2 segments, fabric development is equivalent to single-stage experiments at corresponding absolute strain. The fabrics differed markedly from those in single-stage experiments in the case of reversed two-stage deformation at moderate strain (D1 shear strain 1 and 2.6). Experiments show that grain shape by shearing of relict grains is defined by finite strain and thus affected by strain reversal. Recrystallisation is controlled by absolute strain and not influenced by strain reversal.
ISSN: 0040-1951

hal-00617686
https://hal.archives-ouvertes.fr/hal-00617686
DOI : 10.1016/j.tecto.2010.09.029

Résumé : Label 7439 / 4 plates
Around the turn of the 20th century, cigars were advertised and sold mainly by the colourful, intricate labels that adorned the boxes. Intense competition encouraged manufacturers to see who could create the most beautiful, eye-catching labels. A diffrent stone was required to print each colour. It was not unusual for as many as 20 stones to be used to create a single label. The register for each printing had to be perfect. The process became known as STONE LITHOGRAPHY or CHROMOLITHOGRAPHY. Once this exacting printing process was completed, the labels were then gilded with hand-applied gold leaf. Finally, the labels were embossed using huge 30-ton presses. According to Joe Davidson, the eminent American art dealer and collector, the "Golden Era" of cigar labels is associated with the introduction of gilding and embossing in the 1890's up to the late 1920's when the less attractive full-colour or photo-mechanical labels began to appear. Genuine gold leaf was used primarily by German and Cuban printers and "bronzing" in which bronze powder was mixed with lacquer or sizing, applied like ink, then burnished with brushes or polished rollers to make them gleam like gold. These particular labels were produced by the German factory, Gerhard Meinesz in Bentheim, near the Dutch border, and closed in 1932. The labels were used during the 1920's. These spectacular lithographs lithographs wound up lying unused and undiscovered for generations. Because they were printed on special long-fibre, acid-free rage paper, these old labels retained their original brilliant colours. Consequently, they are available in very limited quantities.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.
C24-05394

Éditeur(s) : Elsevier
Résumé : The family Kareniaceae is mostly known in France for recurrent blooms of Karenia mikimotoi in the Atlantic, English Channel, and Mediterranean Sea and for the unusual green discoloration in the saltwater lagoon of Diana (Corsica) caused by Karlodinium corsicum in April 1994. In terms of diversity, this taxonomic group was long overlooked owing to the difficult identification of these small unarmored dinoflagellates. In this study, thanks to the molecular characterization performed on single cells from field samples and cultures, twelve taxonomic units were assigned to the known genera Karenia, Karlodinium and Takayama, whereas one could not be affiliated to any described genus. The molecular phylogeny inferred from the D1–D2 region of the LSU rDNA showed that five of them formed a sister taxon of a known species, and could not be identified at species-level, on the basis of molecular analysis only. Among these latter taxa, one Karlodinium which was successfully cultured was investigated by studying the external morphological features (using two procedures for cells fixation), ultrastructure, pigment composition, and haemolytic activity. The results of our analyses corroborate the genetic results in favour of the erection of Karlodinium gentienii sp. nov., which possesses an internal complex system of trichocysts connected to external micro-processes particularly abundant in the epicone, and a peculiar pigment composition. In addition, preliminary assays showed a haemolytic activity.
Harmful Algae (1568-9883) (Elsevier), 2014-12 , Vol. 40 , P. 75-91

Droits : 2014 Elsevier B.V. All rights reserved.
http://archimer.ifremer.fr/doc/00225/33611/32310.pdf
DOI:10.1016/j.hal.2014.10.006
http://archimer.ifremer.fr/doc/00225/33611/