Éditeur(s) : Elsevier
Résumé : Herbivorous (20% vegetable protein, 40% carbohydrate) and carnivorous diets (40% marine animal protein, 20% carbohydrate) were experimentally tested to assess their effect on the energy balance and energetic substrates utilized by postlarvae (PL's /15 days) and juvenile shrimp (3-6 g) of Litopenaeus vannamei. Postlarval stage 60 (PL60, early juveniles) shrimps fed HeD and CaD diets, then late juveniles (3-6 g) acclimated to the same diets were tested for their respective energy partitioning potential. No significant differences (p>0.05) on growth were obtained in early juveniles (mean final wet weight of 0.19 g). However in late juvenile stages a significant difference (p<0.05) in growth rate was observed. In terms of energy partitioning, both early and late juveniles seem to spend more energy in respiratory metabolism than in the elimination of excretion products. A change in feed composition based on quality protein sources induced some modifications on shrimp's activity measured by heat increment. Shrimps fed with an herbivorous diet showed a higher heat increment. Interestingly, the early stages of L vannamei display a remarkable capacity to assimilate a plant protein-based and a high carbohydrate level diet. Such capacity with a stimulation of genes would lead to a good adaptation of juveniles receiving all-plant diets to sustain growth performances up to a marketable size. The implications of these findings for the shrimp farming feeding costs are briefly discussed. (C) 2009 Elsevier B.V. All rights reserved.
Aquaculture (0044-8486) (Elsevier), 2009-11 , Vol. 296 , N. 1-2 , P. 123-128

Droits : 2009 Elsevier B.V. All rights reserved.
http://archimer.ifremer.fr/doc/2009/publication-7402.pdf
DOI:10.1016/j.aquaculture.2009.08.007
http://archimer.ifremer.fr/doc/00000/7402/

Éditeur(s) : A. Cembette A. Cembette ( Paris )
Résumé : Map shows Martinique. Map is surrounded by drawing of tobacco bales, sugar cane, palms, etc., and text.
Phillips 3000
Gift of Kenneth Sellati, 1994. Martinique
Martinique

Droits : All rights reserved by the source institution.
1994-336-2

Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby. The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe. The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace. The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa
Lafayette Street

Droits : All rights reserved. 2005.
D20-008

Éditeur(s) : Université de Guyane
Extrait de : "Bals masqués de Guyane et d'ailleurs. Identités et imaginaires carnavalesques en question" : colloque international, les 26 et 27 janvier 2017. Université de Guyane
Description : Première romancière guyanaise Lyne Marie Stanley "La saison des abattis" (1996) à Cayenne. La fête danser costumer et masqué à nourri l'imaginaire des auteurs et de leur protagoniste. La salle de bal est souvent décrite comme un lieu mythique, mystérieux propice aux rêves aux intrigues amoureuses, aux rencontres fatales. Lyne Marie Stanley dans "La saison des abattis", dans le chap. 3, s'attache à présenter le bal paré-masqué des "touloulous" : personnage féminin emblématique du carnaval de Guyane. Céphyse, "touloulou" novice découvre l'univers du bal paré-masqué en même temps que l'amour. Elle transgresse les codes établies qui consistent en autre à préserver l?anonymat. La première fonction du déguisement est de garantir l'anonymat du "touloulou" personnage unique du carnaval guyanais." Le frère du "touloulou" est le "tololo" qui signifie en créole guyanais : "ton pénis" Le rôle essentiel de la parade du touloulou est sans doute, de mettre en valeur la femme, de la magnifier, pour en faire un personnage sublimée, à la fois réelle et virtuelle. La représentation du bal paré-masqué dans : "La saison des abattis", est une excellente illustration du concept de transgression, dans le cadre de la fête carnavalesque guyanaise. Pour Jean Thierry Martins, le bal masqué est dans tous les cas un lieu de transgression sémantique.
Siècle(s) traité(s) : 20
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V17167
V17167

Éditeur(s) : CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines
Extrait de : "Patrimonialisation et développement dans la Caraïbe et les Amériques" : colloque international, du 2 au 4 mars 2011. Université des Antilles et de la Guyane
Description : Bali est un îlot hindouiste dans un pays musulman : l'Indonésie. Pourtant, plus de la moitié des touristes vont à Bali, non pour les plages mais pour un dépaysement culturel. En effet, les touristes se déplacent pour s'imprégner d'une population, d'un mode de vie... Cependant, le tourisme augmente et entraine dans une certaine mesure un processus d'acculturation. Les balinais ont alors opéré une séparation entre le sacré et le profane, certains rites sont ainsi interdits aux touristes et permettent de garder leur identité. Cette résistance culturelle est aussi un refus d'aller vers une folkorisation de leurs traditions. Il semblerait que les balinais soient arrivés à vendre leur patrimoine sans pour autant vendre leur âme.
Siècle(s) traité(s) : 21
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V12114
V12114

Éditeur(s) : Leipzig : Duncker und Humblot
Extrait de : Baumwollproduktion und Pflanzungswirtschaft in de Nordamerikanischen Südstaaten (entre p. 156 et p. 157)
Résumé : Production et consommation de coton en balles de 400 livres ; répartis entre les pays qui ont contribué à l'offre et la demande sur le marché mondial pendant un certain nombre d'années entre 1790 et 1895
Siècle(s) traité(s) : 19
Permalien : http://www.manioc.org/images/TLS17022-0182i1
TLS17022-0182i1

Éditeur(s) : HAL CCSD BioMed Central
Résumé : International audience
BACKGROUND: Sampling design is a key issue when establishing species inventories and characterizing habitats within highly heterogeneous landscapes. Sampling efforts in such environments may be constrained and many field studies only rely on subjective and/or qualitative approaches to design collection strategy. The region of Cacao, in French Guiana, provides an excellent study site to understand the presence and abundance of Anopheles mosquitoes, their species dynamics and the transmission risk of malaria across various environments. We propose an objective methodology to define a stratified sampling design. Following thorough environmental characterization, a factorial analysis of mixed groups allows the data to be reduced and non-collinear principal components to be identified while balancing the influences of the different environmental factors. Such components defined new variables which could then be used in a robust k-means clustering procedure. Then, we identified five clusters that corresponded to our sampling strata and selected sampling sites in each stratum. RESULTS: We validated our method by comparing the species overlap of entomological collections from selected sites and the environmental similarities of the same sites. The Morisita index was significantly correlated (Pearson linear correlation) with environmental similarity based on i) the balanced environmental variable groups considered jointly (p = 0.001) and ii) land cover/use (p-value<0.001). The Jaccard index was significantly correlated with land cover/use-based environmental similarity (p-value = 0.001). CONCLUSIONS: The results validate our sampling approach. Land cover/use maps (based on high spatial resolution satellite images) were shown to be particularly useful when studying the presence, density and diversity of Anopheles mosquitoes at local scales and in very heterogeneous landscapes.
BMC Ecology

pasteur-00914104
https://hal-riip.archives-ouvertes.fr/pasteur-00914104
https://hal-riip.archives-ouvertes.fr/pasteur-00914104/document
DOI : 10.1186/1472-6785-13-45
PUBMED : 24289184

Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby. The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe. The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace. The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.
D29-014

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : Cet article traite de la spécificité de l’activité touristique à Bali, fondée sur une identité locale forte et un riche patrimoine naturel et culturel mais aussi troublante en raison de l’importance et la complexité des jeux d’acteurs, ou encore des contextes sociaux, religieux et géopolitiques propres à ce territoire insulaire. Nous analyserons les liens pérennes ou non entre patrimoine et développement en focalisant sur ce qui fait l’image de marque de Bali sur les plans touristique et politique : le tourisme culturel. Cette étude de cas illustre les dynamiques d’acteurs dans le cadre de l’île de Bali où l’on constate une forte imbrication entre tourisme international, protection de l’environnement et promotion du patrimoine culturel. Vendue comme un paradis tropical, perçue comme l'île des Dieux, Bali se voit contrainte de mesurer les risques d'un tourisme culturel qui se transformerait trop rapidement en culture touristique. Des pistes seront proposées afin d’encourager l’ensemble des acteurs à œuvrer pour que le « dernier paradis » (last paradise) ne devienne pas un « paradis perdu » (lost paradise).
Since the 1930s, Bali has been generally seen as a traditional tourism destination quite fashionable. Nowadays, a new kind of tourism, rather esoteric if not totally spiritual, is emerging on this small “paradise” often referred as a natural untouched and cultural preserved island. To attire more international tourists, the “Island of Gods”, as the tourism promoters still name this tropical holiday paradise, is now also targeting on the industry of “well-being”. This article deals about the specificity of the local tourism activity which is based on a strong cultural identity and a rich natural and also religious heritage. Uncontrolled development of this predatory industry brings also a lot of new problems, such as pollution or acculturation. Here, our aim is to focus and analyse the real and false ties between heritage, development and tourism, always by keeping in mind that the regional motto about tourism policy still is to encourage “cultural tourism” as a real model (a “brand”, in fact) of success. We especially try to explain, in this current work (still in progress), the touristic situation in the main cultural site located on the island: Ubud. This small city, really boosting during the last decade, is worldwide reputed for the rich cultural performances and seen as “the” artistic capital of Bali. Ubud offers also a perfect example of an intense and dynamic bond between cultural heritage and economic development. Often for the best and sometimes also for the worse. In this rural but international spot, it seems that tourism business allows the local population to live in better ways and, sometimes, even to reborn, culturally speaking! Our case study shows also the big threats behind the current tourism policy: the large scale business occurred by globalization and all the tourism opportunities thus provided cannot hide the real weakness that for sure also concern the balinese way of thinking and living. Cultural tourism could rapidly be transformed in a dangerous kind of tourism of the culture, with all the big (and bad) changes the Balinese don’t want to see happening on their lovely and holy island. So, the present reflection conducts us to think more deeply on some new and alternative ways of developing tourism in Bali. Finally, our aim is to think, first by listening to the desire of the Balinese themselves, in which best manner this “last paradise” will not become a “lost paradise”.
Bali

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.5385
http://journals.openedition.org/etudescaribeennes/5385

Éditeur(s) : Université de Guyane
Extrait de : "Bals masqués de Guyane et d'ailleurs. Identités et imaginaires carnavalesques en question" : colloque international, les 26 et 27 janvier 2017. Université de Guyane
Description : Le bal paré masqué ou le personnage emblématique du touloulou émerge le temps d'une saison et anime la vie sociétale l'imaginaire guyanais. Il est le point de mire au niveau de certaine conversation, des devantures de magasins et au niveau dans le milieu des bals masqués revêt l'habit d'apparat qui évolue au fil des temps. Ce personnage de touloulou aux multiples attraits et cela dans l'optique de converger tous les regards vers lui. Le touloulou, lui, entend régenter à sa guise les espaces dédiés à la danse. Le carnaval est sujet à de nombreuses interprétations et inspire de nombreux écrivains. Le bal paré masqué guyanais dans "le bois roman du serpent noir", (Bernard Blasse, 1980) est entrevu comme une délivrance, le signe d'une renaissance pour la cité et dès lors, tout s?orchestre avec frénésie, autour de cet événement mémorable. Le carnaval et en l?occurrence le bal paré est pour certain, un monde commun et imaginé des possibles un monde ardent et convulsé autour d'un personnage phare, éphémère, mais qu'en est-il somme toute, des lendemains festifs quand les masques tombent et l'humain lui, renvoyé à son quotidien ?
Siècle(s) traité(s) : 20
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V17165
V17165

Éditeur(s) : Fundacion Global Democracia y Desarrollo (FUNGLODE) Fundacion Global Democracia y Desarrollo (FUNGLODE)
Résumé : (Funding) Support for the development of the technical infrastructure and partner training provided by the United States Department of Education TICFIA program.
South America

Droits : All rights reserved by the source institution.
99934-0-357-1

Éditeur(s) : Musée départemental d'archéologie précolombienne et de préhistoire de la Martinique
2012.0.1.149
Fort-de-France
Didier (Fort-de-France)

Droits : Reproduction soumise à autorisation du Musée départemental d’archéologie précolombienne et de préhistoire de la Martinique
http://www.patrimoines-martinique.org/ark:/35569/a0114236047398mR9tb

Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby. The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe. The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace. The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.
D29-0015

Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby. The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe. The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace. The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.

Résumé : When Henry B. Plant brought the railroad to Tampa in 1884, he opened the door for many businesses to locate and flourish here. The railroad was at the center of the city's economy. From downtown it went to Port Tampa where one could board a Plant steamship to Jamaica, Cuba, New Orleans, Bermuda or other destinations. A spur of the rail line brought the train up to the west front of the hotel so guests could depart the train and walk directly into the lobby. The Tampa Bay Hotel cost approximately 2.5 million dollars to build and $500,000 to furnish. Consisting of 511 rooms, some of which were suites of 3-7 rooms, it provided a degree of luxury never before seen in Tampa. Most of the rooms had their own baths and all had electricity and telephones. In addition, guests were surrounded by a varied collection of furniture, porcelains, Venetian-style mirrors, and sculptures gathered by Mr. and Mrs. Plant in their travels in Europe. The Tampa Bay Hotel opened in 1891 amid wide fanfare and celebration. Henry Plant's dream was now a reality. The newspapers of the day described it as "brightly illuminated, filled with sumptuous decorations, thrilling music and graced with turrets, domes and minarets towering heavenward and glistening in the sun." It was a Victorian palace. The hotel was a lively place with balls, tea parties, and organized hunts during the winter social season. It was open seasonally from December to April in the 1890's. Once a guest arrived at the hotel, he needed to be entertained. Guests went wild game hunting as well as fresh and salt-water fishing. Water sports were also included like sailing, rowing, and canoeing. For the less adventuresome, there were bicycles, carriages, and rickshaws to ride you around the property. The hotel also offered golf, tennis, shuffleboard, billiards, and even a racetrack.
(Funding) Funded in part by the Institute for Museum and Library Services (IMLS), Ephemeral Cities Project.
Tampa |z 1271000 |2 ceeus
Hillsborough County |z 12057 |2 ceeus
United States of America -- Florida -- Hillsborough County -- Tampa

Droits : All rights reserved. 2005.

Éditeur(s) : Université de Guyane
Description : L'ouvrage "Bals masqués de Guyane et d'ailleurs" co-dirigé par Monique Blérald et Mylène Danglade est le résultat de la contribution de plusieurs chercheurs. Cette publication fait suite au colloque international intitulé : « Bals masqués de Guyane et d'ailleurs. Identités et imaginaires carnavalesques en question » qui s'est tenu fin janvier 2017 à l'initiative du laboratoire MINEA.
Siècle(s) traité(s) : 20
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V20138
V20138

Éditeur(s) : Université des Antilles et de la Guyane. Service commun de la documentation
Extrait de : Les rencontres culturelles de la BU 2010-2011. Université des Antilles et de la Guyane
Description : De par la durée d'existence assez longue du bagne, il a influé fortement la vie sociale guyanaise. L'origine du bagne est lié à la volonté de peuplement de la Guyane jugé insuffisant pour assurer le développement de la communauté. Ainsi après la suppression de l'esclavage, la main d'oeuvre des bagnards est très largement utilisé. Les principaux moyens utilisés sont la relégation, le doublage et la transportation. Durant cette période, les colonies vivent de leur production, quatre exportations sont majoritaires en Guyane: l'or, le rhum, l'essence de bois de rose et la gomme de Balata. Les dépenses de l'administration pénitentiaire sont ainsi primordiales dans l'équilibre de la balance commerciale de par la quantité et sa sûreté.
Siècle(s) traité(s) : 19
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V12015
V12015

Éditeur(s) : APHGG : Association des Professeurs d'Histoire-Géographie de Guyane SAAHG : Société des Amis des Archives de l'Histoire de la Guyane
Extrait de : "La Guyane au temps de l'esclavage : discours, pratiques et représentations, XVIIe-XIXe siècle" : colloque international, du 16 au 19 novembre 2010. Université des Antilles et de la Guyane
Description : Après une présentation de la colonie guyanaise au début du XIXe siècle, il est abordé la période prospère des années 1830. Suite à la chute du cours du roucou, de la girofle et du coton, il ne reste comme production agricole à forte valeur ajoutée que le sucre. En quelques années, la superficie sucrière est triplée, les habitations sont équipées de machine à vapeur... La balance commerciale devient alors pour la première et unique fois positive. Pour autant l'économie coloniale et esclavagiste ne fût pas prospère mais il fallait justifier la colonisation, rendre viable l'expansionnisme territorial.
Siècle(s) traité(s) : 19
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V11062
V11062

Éditeur(s) : American Geophysical Union
Résumé : As part of the French CLIPPER project, an eddy permitting model of the Atlantic circulation has been run for 22 years. The domain has open boundaries at Drake passage and at 30 degreesE, from Africa to Antarctica. The simulated mean circulation, as well as the eddy activity, is satisfactory for a 1/3 degrees model resolution, and the meridional heat transport at 30 degreesS is within the range estimated from observations. We use the "mixed" open boundary algorithm of Barnier et al. [1998], which has both a radiation condition and a relaxation to climatology. The climatological boundary forcing strongly constrains the solution in the whole domain. The model heat balance adjusts through the surface (heat flux retroaction term) more than the open boundaries. The radiation phase velocities calculated within the algorithm are analyzed. This shows, quite surprisingly, that both the eastern and western boundaries have a similar behavior, regardless of the preferred directions for advection (mainly eastward) and wave propagation (mainly westward). Our results confirm that open boundary algorithms behave differently according to the dynamics of the region considered. The passive boundary condition that Penduff et al. [2000] applied successfully in the north eastern Atlantic does not work in the present South Atlantic model. We emphasize the need for a careful prescription of the climatology at the open boundary, for which a new approach based on synoptic sections is implemented.
Journal of Geophysical Union - Research C - Oceans (0148-0227) (American Geophysical Union), 2001-10 , Vol. 106 , N. C10 , P. 22115-22129

Droits : 2001 American Geophysical Union
http://archimer.ifremer.fr/doc/2001/publication-454.pdf
DOI:10.1029/2000JC000376
http://archimer.ifremer.fr/doc/00000/454/

Éditeur(s) : AICFM : Association des Chercheurs Francophones en Microfinance
Extrait de : "Microfinance et solidarités financières" : journée d'études, le 16 mai 2017. Université des Antilles
Description : Spinassou K, maitre de conférence en Sciences Economiques à l'Université des Antilles, interroge la montée fulgurante des banques islamiques dans le monde et dans les pays non islamiques. Il analyse comment les nouvelles règlementations émises sous le comité de Bâle interagissent avec ces organismes financiers.

Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V17149
V17149