Éditeur(s) : Compagnie Générale Transatlantique Compagnie Générale Transatlantique
Résumé : Softcover edition, staple-bound in white paper wrappers exhibiting black and white touristic images on front and back covers; title statement printed in black ink on front cover.
French.
France
Europe
France
France
France

XB1992.1002
WOLFO 25268

Éditeur(s) : Harper's Weekly Harper's Weekly ( New York )
Résumé : Cover of Harper's Weekly, vol. XLIII, no. 2204 (March 18, 1899). Hand colored, ca. 1997. The American Line steamer Paris sailed from New York, Saturday, March 4, 1899, with four hundred and twenty passengers, for a thirty days' tour among the scenes of the military and naval operations of the late war.
Digital image. 2005. 300 ppi, 4900 x 3286 pixels, 46 mb rgb tif. Prints. Box 19.
Santiago de Cuba

Droits : All rights reserved by the source institution.
1997-361-1

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This image was captured from the promenade of the Casa Blanca Beach Hotel in Montego Bay, Saint James, Jamaica. On the promenade are many tourists, including a woman in a wheelchair. The promenade has white, pink, and yellow benches and is planted with almond trees. In the distance on the left is a view of tourists on Doctor's Cave Beach and on the right is the Casa Montego Hotel. The tourists are sea bathing and the beach has multiple beach chairs and umbrellas. Slide labeled Doctors Cave Beach Montego Bay.
Jamaica -- Caribbean region -- Montego Bay, Saint James

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031049/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
In 1924, Maybelle ‘Ma’ Ewen opened the twelve room Doctor’s Cave Hotel, which later became known as the Casa Blanca Beach Hotel. This was the first hotel in Montego Bay, Saint James, Jamaica. In this image, tourists sit at a table to eat under a large umbrella on the terrace of the hotel, while servers stand around them. Slide labeled Casa Blanca Hotel Doctors Cave Beach Montego Bay.
Jamaica -- Caribbean region -- Montego Bay, Saint James

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031047/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Port Antonio, Portland, Jamaica is said to be the "birthplace of Jamaican tourism." When Captain Lorenzo Dow Baker, president and director of the Boston Fruit Company, built the island’s first hotel, the Queen Anne Titchfield Hotel in 1891. In 1890, the Jamaica Hotels Law was passed to encourage hotel construction to create the needed lodgings for the Jamaica International Exhibition planned for 1891. The hotel was once owned by Hollywood film star Errol Flynn. In the late 1960s, the hotel was destroyed by fire. In the image, there is an automobile, featuring the hotel's name, parked outside the hotel. The sign on one of the hotel's buildings reads "Rafting arranged, inquire at the desk." Slide labeled Port Antonio Titchfield Hotel.
Jamaica -- Caribbean region -- Port Antonio, Portland

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031062/00001

Éditeur(s) : Université des Antilles. Service commun de la documentation ECMEA : Etudes Croisées des Mondes Européens et Américains CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines Alliance Ciné Caraibes
Description : La poésie tient une place importance dans la littérature française du XVIe siècle. Tour à tour intégrant et remaniant la littérature de la Renaissance Louis-Georges Tin illustre pleinement, par son inspiration la poésie française dans sa critique en deux parties. Un premier tour par la question des langues : retour de la langue latine pas moins de 700 auteurs proposent des ?uvres latines, les atouts des langues régionales. Puis un détour par le son et l'image.
Siècle(s) traité(s) : 16
Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V17010
V17010

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Tourists sit in beach chairs, some under beach umbrellas, on Paradise Island, Bahamas. A man wearing a white long sleeved shirt and black pants approaches two men wearing black swim pants. These two men were companions of William Junior Bryant during a fishing trip in Andros, Bahamas in 1948. Images from the trip were featured in Bryant’s book “Flames of Life: A Pictorial Philosophy,” first published in 1961. One of the men is Berkeley F. Jones, under the blue and white umbrella, attended Dartmouth with William Junior Bryant. Slide labeled Paradise Beach.
Bahamas -- North America -- Paradise Island

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 13:17
http://ufdc.ufl.edu/AA00029242/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This image shows a view of a forest in the John Crow Mountains from the balcony of the Bath Fountain Hotel and Spa in Bath, Saint Thomas, Jamaica. A potted plant sits on the balcony. Some of the plants in the forest include epiphytes, ferns, and dasheens (taros). Slide labeled Jam. St. Thomas min. bath at Bath (s.e.).
Jamaica -- Caribbean region -- Bath, Saint Thomas

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00030894/00001

Éditeur(s) : HAL CCSD Université des Antilles
Résumé : International audience
This study highlights the importance of tourism issues for the tropical islands. The singularity of the spaces is too often overlooked because of the strength of fantasized representations of the tropical island which is seen as a paradise, a place of accomplishment desires unlimited with an easy life, with its sunny shores, between coral reefs and white sandy beaches lined with coconut trees. These intangible wealth are based on real resources, abundant and vulnerable, like the emblematic image of coral reefs. Although the tropical island destinations are not supported the weight of the major touristic regions of the world but their flows should be reconsidered in the light of the characteristics of these territories (small size, load population, shortage of land, limits of resources) that require defining specific indicators. But the advent of mass tourism in these last frontiers, these "Pleasure Periphery" needs to question the sustainability of tourism development strategies.
Cette étude souligne l’importance des enjeux touristiques pour les îles tropicales. La singularité des espaces est trop souvent négligée en raison de la vigueur des représentations fantasmées de l’île tropicale qui est perçue tel un lieu paradisiaque, un lieu d’accomplissement de désirs illimités où s’écoule une vie facile, avec ses rivages ensoleillés, entre récifs coralliens et plages de sable blanc bordées de cocotiers. Ces richesses immatérielles reposent sur des ressources bien réelles, abondantes et vulnérables, à l’image des emblématiques récifs coralliens. Certes les destinations insulaires tropicales ne connaissent pas les niveaux de fréquentation des grandes régions du monde, mais leurs flux doivent être reconsidérés au regard des caractéristiques de ces territoires (faible superficie, charge de population, rareté de la terre, limites des ressources) qui nécessitent la définition d’indications spécifiques. Mais l’avènement d’un tourisme de masse dans ces ultimes frontières, ces « Pleasure Periphery » nécessite de s’interroger sur la viabilité des stratégies de développement mises en œuvre autour du tourisme.
ISSN: 1779-0980

hal-01624747
https://hal.archives-ouvertes.fr/hal-01624747
DOI : 10.4000/etudescaribeennes.852

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This image shows a view of the John Crow Mountains and the balcony of the Bath Fountain Hotel and Spa in Bath, Saint Thomas, Jamaica. Potted plants decorate the balcony. Below the balcony, flow the waters from the Bath mineral springs. Some of the plants in the forest include epiphytes, palms, ferns, and dasheens (taros). Slide labeled Jam. St. Thomas min. bath at Bath (s.e.)
Jamaica -- Caribbean region -- Bath, Saint Thomas

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00030891/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This image shows a busy street with pedestrians and vehicles and a view of the harbor in Saint John, Antigua. In the foreground is a taxi filled with passengers and a nearby truck carrying dry produce. There are advertising signs with “Drink (image of an Ovaltine can) Each Day,” A. E. Bird American House, Schimmel Restaurant & Bar, Dews, and “Drink Coca-Cola Ice Cold.” On the wall of the A. E. Bird American House building, on the left of the image, is a poster advertising “The M.C.C. Tour 1968” which features cricket players.
Antigua and Barbuda -- Caribbean region -- Saint John's, Antigua

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@ucf.edu
CFM1972_01a
Sheet 1:5
http://ufdc.ufl.edu/AA00025495/00001

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : This paper will analyze the tourism image the municipal and state tourism offices of Guanajuato, Mexico, a World Heritage site, aim to project through their promotional materials: a small, colonial city, whose streets are shown as empty, cobble-stoned, and set in romantic light. The "city of Cervantes in the Americas" (a title bestowed by UNESCO in 2005 to honor the theatrical tradition of Cervantes plays in Guanajuato) appears to want to set forth an image of tranquility and spaciousness, while the reality is much different: Guanajuato's mainly narrow and windy streets typically bustle, plazas and gardens are full of activity, in short, the town is alive, yet its projected image lacks liveliness. Furthermore, although it is a World Heritage site, Guanajuato has thus far not used that brand to its advantage; instead, Guanajuato has recently had a variety of slogans to promote itself, seemingly at the whim of officials. Through interviews with tourism officials and a selection of collected tourism materials, I show how the city has yet to establish a “coherent” brand, and is going through various phases of place marketing at once.
Cette étude analyse l'image touristique et le projet touristique des municipalités et des offices de tourisme de l'État de Guanajuato, au Mexique. La «ville de Cervantès dans les Amériques" (un titre décerné par l'UNESCO en 2005 pour honorer la tradition théâtrale de Cervantès joue dans Guanajuato) semble vouloir assoir une image de tranquillité et d'espace, alors que la réalité est bien différente: l’image projetée de la ville de Guanajuato est loin de refléter la vie animée des places et jardins, des ruelles étroites coloniales. Force est de constater que la ville n’a pas encore su tirer profit de sa reconnaissance en tant que site du patrimoine mondial. Les slogans évoluent au gré des fonctionnaires qui organisent en charge de ce secteur. Par le biais d'entrevues avec des fonctionnaires du tourisme et une sélection de matériaux recueillis tourisme, l’auteure montre comment la ville passe par différentes phases marketing sans avoir établie une image cohérente de la destination.
Guanajuato
Mexique

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.3882
http://journals.openedition.org/etudescaribeennes/3882

Éditeur(s) : Université des Antilles Louisiana State University CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines Institut du Tout-Monde
Extrait de : "Edouard Glissant, l'éclat et l'obscur" : colloque international, du 19 au 23 mars 2018. Université des Antilles
Description : Selon le Professseur Frédéric Lefrançois, les multiples facettes de l'univers conceptuel échafaudé à travers la poétique d'Edouard Glissant confèrent à sa pensée la profondeur et la richesse d'un opus magnum habité par l'incessante question de la Relation. En son principe, cette idée maîtresse agit à l'image d'un architecte investi d'une mission singulière : celle de faire advenir de l'informe et du multiforme, un plan, une carte, pour assister dans ses avancées l'avenir des cultures en contact. Ainsi, en substance, cette relation est à la fois organique - en ce qu'elle a trait à l'agrégation du divers et du composite - et synthétique, parce qu'elle génère une poétique du divers dans laquelle le tout et la partie entrent en résonance... Ordo ab chao. En ces trois mots tiennent donc l'essence et la finalité d'un propos tour à tour translucide ou opaque, selon le dessein visé, et qu'il nous appartient aujourd'hui de saisir. En pareille matière, l'élan des métaphores, puisé d'un substrat psychosociologique d'une rare densité, s'avère un puissant allié. S'y adjoint la quête de vérité expérientielle, qui n'épargne en rien les aspects problématiques de l'antillanité. Selon quelles modalités passe-t-on des ténèbres à la lumière ? Sur quelle trame conceptuelle et poétique l'écheveau de la mémoire est-il tissé ? Faut-il y voir la tracée d'une destinée manifeste ou l'ambition scripturaire d'un démiurge ? Le Professeur envisage de contribuer à cette investigation en mettant au jour le dénominateur commun entre les fractions d'identité où le génie créateur glissantien se dévoile pour se mettre au service d'une langue poétique nouvelle.

Droits : CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Permalien : http://www.manioc.org/fichiers/V18089
V18089

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
A beach filled with tourists and beach umbrellas in Grenada. Near the wooden buildings in the lower right of the image is the Grenadian flag (1967-1974). In 1967 when Grenada became a British Associated State, it adopted a blue-yellow-green flag with a nutmeg in the center. The nutmeg represented Grenada’s position as the “Spice Isle” and is also featured on the Coat of Arms. In the distance are houses along the mountain side. Slide labeled Gren. 13
Grenada -- Caribbean region

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 43:13
http://ufdc.ufl.edu/AA00029610/00001

Résumé : La valorisation du patrimoine culturel, matériel et immatériel, trouve sa justification en tant que vecteur de différenciation, dans un contexte où le seul modèle touristique de type fordiste ne fait plus recette. Ce patrimoine dans lequel l’homme place du subjectif, des référents culturels et affectifs, voire même des symboles, serait donc à considérer comme une ressource, un vecteur de distinction des territoires, tant il est pourvoyeur d’authenticité. Ainsi, lorsqu’il joue un rôle de marqueur identitaire, le patrimoine peut-être mobilisé par les acteurs impliqués dans le développement local qui ont le souci de se démarquer et de mettre en avant leurs ressources les plus spécifiques, à des fins de développement économique.Les ressources culturelles festives, à l’image des carnavals antillais et guyanais et du Tour des yoles rondes de la Martinique, en plus de montrer un lien entre une identité locale, des traditions et un lieu, confèrent de la lisibilité et de la transparence aux territoires qu’elles investissent. Les fêtes locales sont, en effet, des formes spatiales vectrices de territorialité qui donnent à voir des formes d’enracinement et d’attachement aux lieux. C’est d’ailleurs la « cristallisation collective » (Jeudy, 2008) qui se joue autour de ces manifestations patrimoniales festives, qui contribue à leur conférer de la consistance ainsi qu’une non négligeable valeur marchande. A n’en point douter, elles ont la faculté d’établir la Guadeloupe, la Martinique et la Guyane dans le cadre de la distinction, de l’attractivité et de la compétitivité. Néanmoins, n’est ce point utopique de croire, que la valorisation du patrimoine culturel festif des départements étudiés pourrait significativement participer à asseoir la pérennisation du tourisme ? En effet, l’organisation de la fête, surtout lorsqu’elle a une dimension identitaire poussée à son paroxysme, peut conduire au repli d’une société localisée sur elle-même. Partant de ce postulat, la rencontre entre touristes et populations locales peut s’avérer compromise, alors même que ces manifestations culturelles disposent de nombreux atouts à même de satisfaire un public touristique en quête d’authenticité et de vacances divertissantes. Cette rencontre est-elle souhaitée par les uns et les autres ? Est-elle seulement souhaitable ? Le patrimoine culturel festif peut-il sous-tendre une vraie activité touristique, tout en demeurant le garant d’une certaine stabilité sociale ? La prudence ne voudrait-elle pas qu’il faille plutôt craindre la menace qui pèse sur les biens culturels devenus trop rapidement des produits touristiques ?En réalité, les relations sont complexes entre une culture mise en fête et le développement du secteur touristique. Faut-il pour autant les considérer comme un « pari de l’inutile » (Lazzarotti, 2011) ?Le tourisme doit continuer à se penser comme un secteur économique indispensable au développement local, dans une perspective de durabilité. C’est d’ailleurs à ce titre que le volet social du développement durable trouve sa place au cœur même de notre réflexion, tant il constitue une composante majeure de ce que devrait être un produit touristique attractif et adapté aux substrats locaux. C’est ainsi que cette thèse explore et approfondit la problématique de la mise en relation entre un secteur touristique à pérenniser, et le riche patrimoine culturel festif dont disposent la Martinique, la Guadeloupe et la Guyane. Ce travail de recherche poussent encore un peu plus loin la réflexion autour du développement de pratiques touristiques renouvelées et durables.
Enhancement of cultural heritage, both tangible and intangible, is justified as a vector of differentiation, in a context where the only tourist Fordist model no longer recipe. Heritage in which man instead of subjective, cultural and emotional referents and even symbols, would be regarded as a resource, a vector distinction territories, as it is provider of authenticity. Thus, when a role marker of identity , heritage can be mobilized by the actors involved in local development that have the desire to stand out and highlight their most specific resources for economic development purposes . festive cultural resources, like the Caribbean and Guyanese carnivals and Tour round skiffs from Martinique, in addition to showing a link between a local identity, traditions and place , give the clarity and transparency territories they invest . Local festivals are indeed of vector spatial forms of territoriality that give rooting see shapes and place attachment. This is also the "collective crystallization" (Jeudy, 2008) that plays around these festive heritage demonstrations, which helps give them substance and a significant market value. A no doubt, they have the ability to establish Guadeloupe, Martinique and Guyana as part of the award, the attractiveness and competitiveness. However, this is unrealistic enough to believe that the enhancement of cultural heritage festive departments surveyed could significantly participate in sit sustainability of tourism? Indeed, the organization of the party, especially when it has a dimension of identity pushed to its limits, can lead to the decline of localized on society itself. Based on this assumption, the encounter between tourists and local populations may be compromised, even though these cultural events have many assets to satisfy even a tourist public in search of authenticity and fun holiday. This meeting it is desired by each other? Is it just desirable? The festive cultural heritage may underlie it a real tourist activity, while remaining a guarantor of social stability? Prudence does not she want that rather we should fear the threat to cultural property became too quickly tourism products? Actually, relationships are complex between a culture festival setting and development of the tourism sector. Should we all be regarded as a "bet the useless" (Lazzarotti, 2011)? Tourism must continue to think as an essential local economic development sector, with a view to sustainability. It is also for this reason that the social pillar of sustainable development finds its place at the heart of our thinking, as it is a major component of what should be an attractive tourism product adapted to local substrates. Thus this thesis explores and deepens the problem of linking between tourism to sustain, and the rich cultural heritage festive available Martinique, Guadeloupe and Guyana. This research push a little further reflection on the development of tourism practices renewed and sustained.

http://www.theses.fr/2013AGUY0703

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Montego Bay, Saint James, Jamaica became popular as a sea bathing destination when in 1906 Doctor Alexander James McCatty donated the land to the community and rumors spread that the waters off this beach had health benefits. The beach received its name from Doctor McCatty and his physician friends and because the original entrance was through a cave, which was destroyed in a 1932 hurricane. The image is of tourists sea bathing in the Caribbean Sea while children play in the sand of Doctor's Cave Beach.
Jamaica -- Caribbean region -- Montego Bay, Saint James

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
http://ufdc.ufl.edu/AA00031050/00001

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
Becoming a street vendor, also known locally as a higgler, is a common example of small business enterprise in Jamaica. This image shows women street vendors selling flowers, such as calla lilies and carnations to passersby in Kingston. Eleanor Friend Sleight, wearing a plaid dress and holding a white purse, is purchasing flowers. Automobiles on the street including a station wagon and a Volkswagen Beetle. A tanker truck can also be seen. Slide labeled Jam. buying flowers, Kingston.
Jamaica -- Caribbean region -- Kingston

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@mail.ucf.edu
CFM1972_01a
Sheet 58:11
http://ufdc.ufl.edu/AA00030131/00001

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : Parler de « tourisme d’aventure organisé », dans le contexte actuel des pratiques de loisirs en plein air, est-il une aberration ? Cet oxymore ne permettrait-il pas de rendre compte des ambivalences d’une pratique touristique qui aspire à profiter des avantages de la combinaison de ces deux formes de tourisme, d’aventure et organisé ? Le terme « trekking » est considéré à la fois comme un terme spécifique et comme un effet de mode et de marketing. Cette duplicité lui procure sa spécificité : un tourisme fondé sur l’aventure, la nature et la découverte culturelle pourtant inséré dans un système marketing très organisé. Pleine nature, culture, sociabilité sont donc tantôt la principale motivation du voyage, tantôt une des raisons (ou les trois raisons) qui décident le plus souvent à voyager dans les montagnes marocaines. Ainsi, les motivations à participer à un voyage organisé dans l’Atlas marocain deviennent de plus en plus hétérogènes et concernent des publics variés. Les imaginaires et les rêves se retrouvent alors littéralement supplantés par la combinaison, parfois contradictoires, des motivations.Forte d’avoir développé ce type de séjours, l’industrie touristique a ainsi récupéré ces pseudo-imaginaires et on assiste aujourd’hui à l’assimilation de ces derniers par les professionnels et les touristes. Expérience aventureuse et marché de l’aventure se font donc face et encouragent l’émergence d’une nouvelle utopie touristique.
Talking about "organized tourism of adventure" in the present context of outdoor leisure activities, an aberration is it? This oxymoron could be explained by the ambivalence on tourist practices that take advantage of the combination of these two forms of tourism, isn't it? "Trekking" is considered both as a specific term and as a marketing term. This duplicity gives it his specificity: a tourism based on adventure, nature and cultural discovery; nevertheless, it is included into a very organized marketing system. Wilderness, culture, sociability are sometimes the main motivations of a trip in Moroccan mountains, or sometimes they constitute one of the main reasons. In addition, motivations to participate to an organized trip in Atlas are becoming more and more diverse and affect various travelers. Imagination and dreams are supplanted by a combination, sometimes contradictory, of motivations. Tourist industry renewed these pseudo-imagination and we are now seeing their assimilation by both professionals and tourists. Adventurous experiences and industry of adventure face each other and encourage the emergence of a new tourist utopia.
Maroc
Atlas

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.11310
http://journals.openedition.org/etudescaribeennes/11310

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : Cet article traite de la spécificité de l’activité touristique à Bali, fondée sur une identité locale forte et un riche patrimoine naturel et culturel mais aussi troublante en raison de l’importance et la complexité des jeux d’acteurs, ou encore des contextes sociaux, religieux et géopolitiques propres à ce territoire insulaire. Nous analyserons les liens pérennes ou non entre patrimoine et développement en focalisant sur ce qui fait l’image de marque de Bali sur les plans touristique et politique : le tourisme culturel. Cette étude de cas illustre les dynamiques d’acteurs dans le cadre de l’île de Bali où l’on constate une forte imbrication entre tourisme international, protection de l’environnement et promotion du patrimoine culturel. Vendue comme un paradis tropical, perçue comme l'île des Dieux, Bali se voit contrainte de mesurer les risques d'un tourisme culturel qui se transformerait trop rapidement en culture touristique. Des pistes seront proposées afin d’encourager l’ensemble des acteurs à œuvrer pour que le « dernier paradis » (last paradise) ne devienne pas un « paradis perdu » (lost paradise).
Since the 1930s, Bali has been generally seen as a traditional tourism destination quite fashionable. Nowadays, a new kind of tourism, rather esoteric if not totally spiritual, is emerging on this small “paradise” often referred as a natural untouched and cultural preserved island. To attire more international tourists, the “Island of Gods”, as the tourism promoters still name this tropical holiday paradise, is now also targeting on the industry of “well-being”. This article deals about the specificity of the local tourism activity which is based on a strong cultural identity and a rich natural and also religious heritage. Uncontrolled development of this predatory industry brings also a lot of new problems, such as pollution or acculturation. Here, our aim is to focus and analyse the real and false ties between heritage, development and tourism, always by keeping in mind that the regional motto about tourism policy still is to encourage “cultural tourism” as a real model (a “brand”, in fact) of success. We especially try to explain, in this current work (still in progress), the touristic situation in the main cultural site located on the island: Ubud. This small city, really boosting during the last decade, is worldwide reputed for the rich cultural performances and seen as “the” artistic capital of Bali. Ubud offers also a perfect example of an intense and dynamic bond between cultural heritage and economic development. Often for the best and sometimes also for the worse. In this rural but international spot, it seems that tourism business allows the local population to live in better ways and, sometimes, even to reborn, culturally speaking! Our case study shows also the big threats behind the current tourism policy: the large scale business occurred by globalization and all the tourism opportunities thus provided cannot hide the real weakness that for sure also concern the balinese way of thinking and living. Cultural tourism could rapidly be transformed in a dangerous kind of tourism of the culture, with all the big (and bad) changes the Balinese don’t want to see happening on their lovely and holy island. So, the present reflection conducts us to think more deeply on some new and alternative ways of developing tourism in Bali. Finally, our aim is to think, first by listening to the desire of the Balinese themselves, in which best manner this “last paradise” will not become a “lost paradise”.
Bali

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.5385
http://journals.openedition.org/etudescaribeennes/5385

Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. The are organized by geographical location.
This image shows children, a boy and girl, sitting on the sidewalk of a busy street with parked automobiles in Saint John, Antigua. There is a nearby parked truck carrying dry produce. Some dry produce bags and boxes, a few labeled Breezes, have been placed on the sidewalk. Two women are standing near the boxes and a poster advertising “The M.C.C. Tour 1968” which features cricket players. Some of the stores on this street include A. E. Bird American House and Schimmel Restaurant & Bar.
Antigua and Barbuda -- Caribbean region -- Saint John's, Antigua

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@ucf.edu
CFM1972_01a
Sheet 1:6